Beauty and Human Nature: Elements of Psychological AestheticsD. Appleton-Century Company, incorporated, 1934 - 379 էջ |
From inside the book
Արդյունքներ 23–ի 1-ից 3-ը:
Էջ 46
... direction of the line being upward , downward , or horizontal ; and of angular or jagged lines , which likewise varied in the size of their com- ponents and their general direction . The results from the two methods were essentially ...
... direction of the line being upward , downward , or horizontal ; and of angular or jagged lines , which likewise varied in the size of their com- ponents and their general direction . The results from the two methods were essentially ...
Էջ 52
... direction . This may be the direction of diagonal lines , tilted toward the center or away from it ; it may be the direction of motion of a figure represented as walking , running , or reaching for something ; it may be the direc- tion ...
... direction . This may be the direction of diagonal lines , tilted toward the center or away from it ; it may be the direction of motion of a figure represented as walking , running , or reaching for something ; it may be the direc- tion ...
Էջ 54
... direction of line , of movement , of glance , which were mentioned above , help to determine the order of perception . The eye tends to follow these directions and is thus led from shape to shape . In Gothic buildings the pointed arches ...
... direction of line , of movement , of glance , which were mentioned above , help to determine the order of perception . The eye tends to follow these directions and is thus led from shape to shape . In Gothic buildings the pointed arches ...
Բովանդակություն
CHAPTER PAGE | 3 |
VARIETIES OF ESTHETIC EXPERIENCE | 17 |
TABLE | 19 |
Հեղինակային իրավունք | |
27 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Beauty and Human Nature: Elements of Psychological Aesthetics Albert Richard Chandler Հատվածի դիտում - 1934 |
Beauty and Human Nature: Elements of Psychological Aesthetics Albert Richard Chandler Հատվածի դիտում - 1934 |
Common terms and phrases
accents æsthetic experience Allesch appreciation architecture artist beauty Beethoven blank verse blue building Bullough centroid character chords combinations complex consonance contrast dark decoration effect emotional equal temperament Esthetics Experimental expression factors Fechner feeling figures film colors give golden section Gothic green harmony hearing Heinlein hues instruments intervals jazz light lines listener literature meaning melody ment minor minor chords minor scale minor seventh mood movement notes objects observers octave Ohio State University painter painting pairs Paradise Lost passage pauses persons phrase piano picture pitch Plate play pleasant poem poetry preferred produce prose Psychol quoted by permission ratio records rectangles References on Chapter regard repetition rhythm rhythmic saturated colors scansion sculpture selections sequence singing single colors sound subjects suggest syllables symphony theme timbre tion tones unpleasant variation varied variety various vibrato violet visual arts vowels yellow