Beauty and Human Nature: Elements of Psychological AestheticsD. Appleton-Century Company, incorporated, 1934 - 379 էջ |
From inside the book
Արդյունքներ 35–ի 1-ից 3-ը:
Էջ 141
... material must be chosen to fit the subject and the setting , and the subject must be treated in conformity with the material . The combination of different materials , as in Klinger's " Beethoven , " impairs unity and tends toward ...
... material must be chosen to fit the subject and the setting , and the subject must be treated in conformity with the material . The combination of different materials , as in Klinger's " Beethoven , " impairs unity and tends toward ...
Էջ 143
... material , on pain of lapsing into triviality . A realistic wax figure in real clothes may amuse us by a momentary illusion , but more precious and permanent ma- terials are needed to command our respect . Such materials ( marble ...
... material , on pain of lapsing into triviality . A realistic wax figure in real clothes may amuse us by a momentary illusion , but more precious and permanent ma- terials are needed to command our respect . Such materials ( marble ...
Էջ 232
... material through memory activity , or the creation of newly elaborated and varied material through the action of the so - called productive imagination . " ( 6 , 41. ) Sensorial effects would include the pleasantness or unpleasant- ness ...
... material through memory activity , or the creation of newly elaborated and varied material through the action of the so - called productive imagination . " ( 6 , 41. ) Sensorial effects would include the pleasantness or unpleasant- ness ...
Բովանդակություն
CHAPTER PAGE | 3 |
VARIETIES OF ESTHETIC EXPERIENCE | 17 |
TABLE | 19 |
Հեղինակային իրավունք | |
27 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Beauty and Human Nature: Elements of Psychological Aesthetics Albert Richard Chandler Հատվածի դիտում - 1934 |
Beauty and Human Nature: Elements of Psychological Aesthetics Albert Richard Chandler Հատվածի դիտում - 1934 |
Common terms and phrases
accents æsthetic experience Allesch appreciation architecture artist beauty Beethoven blank verse blue building Bullough centroid character chords combinations complex consonance contrast dark decoration effect emotional equal temperament Esthetics Experimental expression factors Fechner feeling figures film colors give golden section Gothic green harmony hearing Heinlein hues instruments intervals jazz light lines listener literature meaning melody ment minor minor chords minor scale minor seventh mood movement notes objects observers octave Ohio State University painter painting pairs Paradise Lost passage pauses persons phrase piano picture pitch Plate play pleasant poem poetry preferred produce prose Psychol quoted by permission ratio records rectangles References on Chapter regard repetition rhythm rhythmic saturated colors scansion sculpture selections sequence singing single colors sound subjects suggest syllables symphony theme timbre tion tones unpleasant variation varied variety various vibrato violet visual arts vowels yellow