Beauty and Human Nature: Elements of Psychological AestheticsD. Appleton-Century Company, incorporated, 1934 - 379 էջ |
From inside the book
Արդյունքներ 39–ի 1-ից 3-ը:
Էջ 172
... melody was upward , a small downward interval if the movement was downward . Abraham concludes that a melody is not a se- quence of tones of assigned pitches , but a " form " ( Gestalt ) in which the relations of each tone to a whole ...
... melody was upward , a small downward interval if the movement was downward . Abraham concludes that a melody is not a se- quence of tones of assigned pitches , but a " form " ( Gestalt ) in which the relations of each tone to a whole ...
Էջ 180
Elements of Psychological Aesthetics Albert Richard Chandler. A Chapter II THE STRUCTURE OF MUSIC Melody MELODY is a coherent succession of single tones . You cannot make a melody by striking a few notes at random . It remains for some ...
Elements of Psychological Aesthetics Albert Richard Chandler. A Chapter II THE STRUCTURE OF MUSIC Melody MELODY is a coherent succession of single tones . You cannot make a melody by striking a few notes at random . It remains for some ...
Էջ 184
... melody are : ( a ) pro- ceeding by small intervals ; ( b ) proceeding by consonant inter- vals ; ( c ) placing prominent notes at consonant intervals from one another ; ( prominence is determined at least in part by intensity- accent ...
... melody are : ( a ) pro- ceeding by small intervals ; ( b ) proceeding by consonant inter- vals ; ( c ) placing prominent notes at consonant intervals from one another ; ( prominence is determined at least in part by intensity- accent ...
Բովանդակություն
CHAPTER PAGE | 3 |
VARIETIES OF ESTHETIC EXPERIENCE | 17 |
TABLE | 19 |
Հեղինակային իրավունք | |
27 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Beauty and Human Nature: Elements of Psychological Aesthetics Albert Richard Chandler Հատվածի դիտում - 1934 |
Beauty and Human Nature: Elements of Psychological Aesthetics Albert Richard Chandler Հատվածի դիտում - 1934 |
Common terms and phrases
accents æsthetic experience Allesch appreciation architecture artist beauty Beethoven blank verse blue building Bullough centroid character chords combinations complex consonance contrast dark decoration effect emotional equal temperament Esthetics Experimental expression factors Fechner feeling figures film colors give golden section Gothic green harmony hearing Heinlein hues instruments intervals jazz light lines listener literature meaning melody ment minor minor chords minor scale minor seventh mood movement notes objects observers octave Ohio State University painter painting pairs Paradise Lost passage pauses persons phrase piano picture pitch Plate play pleasant poem poetry preferred produce prose Psychol quoted by permission ratio records rectangles References on Chapter regard repetition rhythm rhythmic saturated colors scansion sculpture selections sequence singing single colors sound subjects suggest syllables symphony theme timbre tion tones unpleasant variation varied variety various vibrato violet visual arts vowels yellow