Beauty and Human Nature: Elements of Psychological AestheticsD. Appleton-Century Company, incorporated, 1934 - 379 էջ |
From inside the book
Արդյունքներ 42–ի 1-ից 3-ը:
Էջ 49
... objects . We do not first become aware of the object and then clothe it with these meanings by an afterthought . The object comes to us clothed with these meanings , because the perception of it is , from the first , interwoven with the ...
... objects . We do not first become aware of the object and then clothe it with these meanings by an afterthought . The object comes to us clothed with these meanings , because the perception of it is , from the first , interwoven with the ...
Էջ 56
... objects and space - relations is facilitated or obstructed . Our perception of nature is incomplete and sketchy . We do not see every leaf on the tree , nor every ridge on its bark . Objects in nature are not always sharply marked off ...
... objects and space - relations is facilitated or obstructed . Our perception of nature is incomplete and sketchy . We do not see every leaf on the tree , nor every ridge on its bark . Objects in nature are not always sharply marked off ...
Էջ 57
... objects and interpret space - relations , he must provide such clues as we employ in our interpretation of nature . It is a real problem for the artist to facilitate our perception of what he wishes us to see . If he succeeds in that ...
... objects and interpret space - relations , he must provide such clues as we employ in our interpretation of nature . It is a real problem for the artist to facilitate our perception of what he wishes us to see . If he succeeds in that ...
Բովանդակություն
CHAPTER PAGE | 3 |
VARIETIES OF ESTHETIC EXPERIENCE | 17 |
TABLE | 19 |
Հեղինակային իրավունք | |
27 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Beauty and Human Nature: Elements of Psychological Aesthetics Albert Richard Chandler Հատվածի դիտում - 1934 |
Beauty and Human Nature: Elements of Psychological Aesthetics Albert Richard Chandler Հատվածի դիտում - 1934 |
Common terms and phrases
accents æsthetic experience Allesch appreciation architecture artist beauty Beethoven blank verse blue building Bullough centroid character chords combinations complex consonance contrast dark decoration effect emotional equal temperament Esthetics Experimental expression factors Fechner feeling figures film colors give golden section Gothic green harmony hearing Heinlein hues instruments intervals jazz light lines listener literature meaning melody ment minor minor chords minor scale minor seventh mood movement notes objects observers octave Ohio State University painter painting pairs Paradise Lost passage pauses persons phrase piano picture pitch Plate play pleasant poem poetry preferred produce prose Psychol quoted by permission ratio records rectangles References on Chapter regard repetition rhythm rhythmic saturated colors scansion sculpture selections sequence singing single colors sound subjects suggest syllables symphony theme timbre tion tones unpleasant variation varied variety various vibrato violet visual arts vowels yellow