Beauty and Human Nature: Elements of Psychological AestheticsD. Appleton-Century Company, incorporated, 1934 - 379 էջ |
From inside the book
Արդյունքներ 40–ի 1-ից 3-ը:
Էջ 80
... pairs of colors formed by combining one constant color with each of the twenty - three other colors were simultaneously displayed . Each pair consisted of two strips of color , 83 by 33.5 mm . ( about 3 1/4 by 1 1/3 inches ) making a ...
... pairs of colors formed by combining one constant color with each of the twenty - three other colors were simultaneously displayed . Each pair consisted of two strips of color , 83 by 33.5 mm . ( about 3 1/4 by 1 1/3 inches ) making a ...
Էջ 90
... pairs of colors . The pairs were shown in sequence , and the observer had to state whether he preferred the given pair to the preceding pair . Table VIII shows the best and worst combinations for each color ( 1 , 20 ) . No particular ...
... pairs of colors . The pairs were shown in sequence , and the observer had to state whether he preferred the given pair to the preceding pair . Table VIII shows the best and worst combinations for each color ( 1 , 20 ) . No particular ...
Էջ 103
... pairs formed from the above colors . The pairs were shown one at a time . The observer had to state whether the pair of colors was pleasant or not and to give his reasons . In his second series the observer had to form a combination ...
... pairs formed from the above colors . The pairs were shown one at a time . The observer had to state whether the pair of colors was pleasant or not and to give his reasons . In his second series the observer had to form a combination ...
Բովանդակություն
CHAPTER PAGE | 3 |
VARIETIES OF ESTHETIC EXPERIENCE | 17 |
TABLE | 19 |
Հեղինակային իրավունք | |
27 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Beauty and Human Nature: Elements of Psychological Aesthetics Albert Richard Chandler Հատվածի դիտում - 1934 |
Beauty and Human Nature: Elements of Psychological Aesthetics Albert Richard Chandler Հատվածի դիտում - 1934 |
Common terms and phrases
accents æsthetic experience Allesch appreciation architecture artist beauty Beethoven blank verse blue building Bullough centroid character chords combinations complex consonance contrast dark decoration effect emotional equal temperament Esthetics Experimental expression factors Fechner feeling figures film colors give golden section Gothic green harmony hearing Heinlein hues instruments intervals jazz light lines listener literature meaning melody ment minor minor chords minor scale minor seventh mood movement notes objects observers octave Ohio State University painter painting pairs Paradise Lost passage pauses persons phrase piano picture pitch Plate play pleasant poem poetry preferred produce prose Psychol quoted by permission ratio records rectangles References on Chapter regard repetition rhythm rhythmic saturated colors scansion sculpture selections sequence singing single colors sound subjects suggest syllables symphony theme timbre tion tones unpleasant variation varied variety various vibrato violet visual arts vowels yellow