Beauty and Human Nature: Elements of Psychological AestheticsD. Appleton-Century Company, incorporated, 1934 - 379 էջ |
From inside the book
Արդյունքներ 21–ի 1-ից 3-ը:
Էջ 33
... ratio to the larger segment that the larger segment has to the whole line . Approximations to this ratio may be made by carrying the following series as far as you like : 1 : 2 : 3 : 5 : 8 : 13 : 21 : 34 : 55 : 89 : 144 .. Each term is ...
... ratio to the larger segment that the larger segment has to the whole line . Approximations to this ratio may be made by carrying the following series as far as you like : 1 : 2 : 3 : 5 : 8 : 13 : 21 : 34 : 55 : 89 : 144 .. Each term is ...
Էջ 34
... ratio of length of leg to total height , or to other proportions at least as conspicuous as those chosen . This is the familiar fallacy of the neglect of negative instances . The theorist does not get people to agree on what it is ...
... ratio of length of leg to total height , or to other proportions at least as conspicuous as those chosen . This is the familiar fallacy of the neglect of negative instances . The theorist does not get people to agree on what it is ...
Էջ 37
... ratio . In the case of picture frames , Fechner made use of the official catalogues of numerous museums , which gave ... ratio of the smaller dimension to the larger was less than the golden - section ratio ; that is , the rectangles ...
... ratio . In the case of picture frames , Fechner made use of the official catalogues of numerous museums , which gave ... ratio of the smaller dimension to the larger was less than the golden - section ratio ; that is , the rectangles ...
Բովանդակություն
CHAPTER PAGE | 3 |
VARIETIES OF ESTHETIC EXPERIENCE | 17 |
TABLE | 19 |
Հեղինակային իրավունք | |
27 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Beauty and Human Nature: Elements of Psychological Aesthetics Albert Richard Chandler Հատվածի դիտում - 1934 |
Beauty and Human Nature: Elements of Psychological Aesthetics Albert Richard Chandler Հատվածի դիտում - 1934 |
Common terms and phrases
accents æsthetic experience Allesch appreciation architecture artist beauty Beethoven blank verse blue building Bullough centroid character chords combinations complex consonance contrast dark decoration effect emotional equal temperament Esthetics Experimental expression factors Fechner feeling figures film colors give golden section Gothic green harmony hearing Heinlein hues instruments intervals jazz light lines listener literature meaning melody ment minor minor chords minor scale minor seventh mood movement notes objects observers octave Ohio State University painter painting pairs Paradise Lost passage pauses persons phrase piano picture pitch Plate play pleasant poem poetry preferred produce prose Psychol quoted by permission ratio records rectangles References on Chapter regard repetition rhythm rhythmic saturated colors scansion sculpture selections sequence singing single colors sound subjects suggest syllables symphony theme timbre tion tones unpleasant variation varied variety various vibrato violet visual arts vowels yellow