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with the old English writers used worth for be, in every part of the conju gation. According to J. H. Tooke, with, in the two compounds within and without, is from pyno, the imperative of pynðan, to be; and the meaning of the former is be in, and of the latter be out. Compare the derivations of BY, WITH, and WORTH; and see observations 6th and 7th, on Rule 22d, page

209.

SECTION X.-DERIVATION OF INTERJECTIONS.

Those significant and constructive words which are occasionally used as Interjections, do not require an explanation here; and those mere sounds which are in no wise expressive of thought, scarcely admit of definition or derivation. The interjection HEY is probably a corruption of the adjective high;-ALAS is from the Fre ch hélas-ALACK is probably a corruption of alas;-WELAWAY (which is now corrupted into welladay,) is from the Saxon palapa, wo on wo;-FIE, from Flan, to hate;-HEYDAY, from high day;AVAUNT, from the French avant, before ;-Lo, from look; -BEGONE, from be and gone;-WELCOME, from well and come.

SECTION XI.—EXPLANATION OF THE PREFIXES.

In the formation of words, certain particles are often employed as prefixes; which, as they generally have some peculiar import, may be separately explained. A few of them are of Anglo-Saxon origin; and the greater part of these are still employed as separate words in our language. The rest are Latin, Greek, or French prepositions. The roots to which they are prefixed, are not always proper English words. Those which are such, are called Separable Radicals; and those which are not such, Inseparable Radicals.

CLASS I.-ENGLISH OR ANGLO-SAXON PREFIXES.

1. A, as an English prefix, signifies on, in, at, or to: as in a-board, a-shore, a-sleep, a-far, a-field. The French a, to, is probably the same particle; as in a-dieu. This prefix is sometimes redundant; as in a-wake, a-rise.

2. BE signifies upon, to, by, or for; as in be-spatter, be-times, be-tide, bespeak. It is sometimes redundant; as in be-gird, be-deck, be-loved.

3. COUNTER means against or opposite; as in counter-poise, counter-evidence, counter-natural.

4. FOR, in composition, seems to signify from: it is found in the irregular verbs for-bear, for-bid, for-get, for-give, for-sake, for-swear; and in for-do, for-pass, for-pine, for-say, for-think, for-waste, which last are now seldom

used.

5. FORE, prefixed to verbs, signifies before; as in fore-know, fore-tell: prefixed to nouns, it is an adjective, and signifies anterior; as in fore-side, forepart.

6. HALF, signifying one of two equal parts, is much used in composition; and, often, merely to denote imperfection: as, half-sighted, seeing imperfectly.

7. Mis signifies wrong; as in mis-do, mis-place.

8. OUT, prefixed to verbs, generally denotes excess; as in out-do, out-leap. prefixed to nouns, it is an adjective, and signifies exterior; as in out-side, out-parish.

9. OVER usually denotes superiority or excess; as in over-power, over-strain, over-large, over-dose, over-growth.

10. SELF signifies one's own person, or belonging to one's own person. It is much used in composition; as in self-love, self-abuse, self-affairs, self-willed, self-accusing. Sometimes self means very; as in self-same.

11. UN denotes negation or contrariety; as in un-kind, un-load.

12. UNDER denotes inferiority; as in under-value, under-clerk.

13. Ur denotes motion upwards; as in up-lift: sometimes subversion; as in up-set.

14. Wгrн, as a prefix, (unlike the common preposition With,) signifies against, from, or back; as in with-stand, with-hold, with-draw.

CLASS II.-LATIN PREFIXES.

The primitives to which these are prefixed, are not many of them employed separately in English. The final letter of the prefix ad, con, ex, in, ob, or sub, is often changed before certain consonants.

1. A, AB, or ABS, means from, or away: as, a-vert, to turn from; ab-duce, to lead from; abs-tract, to draw away.

2. AD, ac, af, al, an, ap, as, at,-to or at: as, ad-vert, to turn to; ac-cede, to yield to; afflux, a flowing-to; ally, to bind to; an-nex, to link to; apply, to put to; as-sume, to take to; at-test, to witness to.

3. ANTE,-before: as ante-cedent, going before; ante-mundane, before the world; ante-date, to date before.

4. CIRCUM,-around or about: as, circum-volve, to roll around.

5. CON, com, co, col, cor,-together: as, contract, to draw together; com pel, to drive together; co-erce, to force together; col-lect, to gather together; cor-rade, to scrape together; con-junction, a joining-together.

6. CONTRA,-against: as contra-dict, to speak against.

7. DE,-of, from, or down: as, de-note, to be a sign of; de-tract, to draw from; de-pend, to hang down; de-press, to press down.

8. Dis, DI,-away or apart: as, dis-pel, to drive away; dis-sect, to cut apart; di-vert, to turn away. Dis, before English words, generally reverses their meaning; as, please, dis-please.

9. E or Ex, ec, ef,-out: as, e-ject, to cast out; ex-tract, to draw out; ec stacy, a raising-out; ef-face, to blot out.

10. EXTRA,-beyond: as, extra-vagant, wandering beyond.

11. IN, il, im, ir,-in, into, against, or upon: as, in-spire, to breathe in; il-lude, to draw in by deceit; im-mure, to vall in; ir-ruption, a breaking-in; in-cur, to run into; in-dict, to declare against; im-pute, to charge upon. These syllables, prefixed to nouns or adjectives, generally reverse their meaning; as, ir-religion, ir-rational, in-secure, in-sane.

12. INTER,-between: as, inter-sperse, to scatter between; inter-jection, something thrown in between.

13. INTRO,-within: as, intro-vert, to turn within.

14. OB, oc, of, op,—against: as, ob-trude, to thrust against; oc-cur, to run against; offer, to bring against; op-pose, to place against; ob-ject, cast against.

15. PER,-through or by: as, per-vade, to go through; per chance, by chance; per-cent, by the hundred.

16. POST,-after: as, post-pone, to place after.

17. PRE, or pre,-before: as, pre-sume, to take before; pre-position, a placing-before, or something placed before.

18. PRO,-for, forth, or forwards: as, pro-vide, to take care for; pro-duce, to bring forth; pro-trude, to thrust forwards.

19. PRETER,-past or beyond: as, preter-it, gone by; preter-natural, beyond what is natural.

20. RE,-again or back: as, re-view, to view again; re-pel, to drive back. 21. RETRO,-backwards: as, retro-cession, a going-backwards.

22. SE,-aside or apart: as, se-duce, to lead aside; se-cede, to go apart. 23. SEMI,-half: as, semi-colon, half a colon; semi-circle, half à circle; semi-vowel, half a vowel.

24. SUB, sup, sur,-under: as, sub-scribe, to write under; sup-ply, to put under; sur-reption, a creeping-under; sub-ject, cast under.

25. SUBTER,-beneath: as, subter-fluous, flowing beneath.

26. SUPER,-over or above: as, super-fluous, flowing over; super-natant, swimming above; super-lative, carried over.

27. TRANS,-beyond, over, to an other state or place: as, trans-gress, to pass beyond or over; trans-mit, to send to an other place; trans-form, to change to an other shape.

CLASS III.-GREEK PREFIXES.

1. A and AN, in Greek derivatives, denote privation: as, a-nomalous, wanting rule; an-onymous, wanting name; an-archy, want of government.

2. AMPHI,-both or two: as, amphibious, living in two elements.

3. ANTI,-against: as, anti-acid, against acidity; anti-febrile, against fever; anti-thesis, a placing-against.

4. Aro, aph,-from: as, apo-strophe, a turning-from; aph-æresis, a taking

from.

5. DIA,-through: as, dia-gonal, through the corners; dia-meter, the measure through.

6. EPI, eph,-upon: as, epi-demic, upon the people; eph-emera, upon day.

7. HEMI,-half: as, hemi-sphere, half a sphere.

8. HYPER,-over: as, hyper-critical, over-critical.

9. HYPO,-under: as, hypo-stasis, substance, or that which stands under; hypo-thesis, supposition, or a placing-under.

10. META,-beyond, over, to an other state or place: as, meta-morphose, to change to an other shape.

11. PARA, against: as, para-dox, something contrary to common opinion. 12. PERI,-around: as, peri-phery, the circumference, or measure round. 13. SYN, sym, syl,-together: as, syn-tax, a placing-together; sym-pathy, a suffering-together; syl-lable, what is taken together.

CLASS IV.-FRENCH PREFIXES.

1. A is a preposition of very frequent use in French, and generally means to. We have suggested that it is probably the same as the Anglo-Saxon prefix a. It is found in a few English compounds that are of French, and not of Saxon origin: a-dieu, to God; a-bout, to the end or turn.

of.

2. DE, -of or from: as in de-mure, of manners; de-liver, to ease from or

3. DEMI,-half: as, demi-man, half a man; demi-god, half a god. 4. EN, em,-in, into, or upon: as, en-chain, to hold in chains; em-brace, to clasp in the arms; en-tomb, to put into a tomb; em-boss, to stud upon. Many words are yet wavering between the French and the Latin orthography of this prefix: as, embody, or imbody; ensurance, or insurance; ensnare, or insnare; enquire, or inquire.

5. SUR,-upon, over, or after: as, sur-name, a name upon a name; «~ wey, to look over; survive, to live after, to overlive, to outlive.

APPENDIX III.

(SYNTAX.)

OF THE QUALITIES OF STYLE.

Style is the particular manner in which a person expresses his conceptions by means of language. It is different from mere words, and is not to be regulated altogether by rules of construction. It always has some relation to the author's peculiar manner of thinking; and, being that sort of expression which his thoughts most readily assume, sometimes partakes, not only of what is characteristic of the man, but even of national peculiarity. The words which an author employs, may be proper, and so constructed as to violate no rule of syntax; and yet his style may have great faults.

To designate the general characters of style, such epithets as concise, diffuse, neat, negligent,- -ner vous, feeble,-simpl, affected,-easy, stiff,perspicuous, obscure,-elegant, florid,-are mployed. A considerable diversity of style, may be found in compositions all equally excellent in their kind. And, indeed, different subjects, as well as the different endowments by which genius is distinguished, require this di.ersity. But in forming his style, the learner should remember, that a negligunt, feeble, affected, stiff, or obscure style, is always faulty; and that perspicuity, ease, simplicity, strength, and neatness, are qualities always to be aimed at.

In order to acquire a good style, the frequent practice of composing and writing something, is indispensably necessary. Without exercise and diligent attention, rules or precepts for the attainment of this object, will be of no avail. When the learner has acquired such a knowledge of grammar, as to be in some degree qualified for the undertaking, he should devote a stated portion of his time to composition. This exercise will bring the powers of his mind into requisition, in a way that is well calculated to strengthen them. And if he has opportunity for reading, he may, by a diligent perusal of the best authors, acquire both language and taste, as well as sentiment; and these three are the essential qualifications of a good writer.

In regard to the qualities which constitute a good style, we can here offer no more than a few brief hints. With respect to words and phrases, particular attention should be paid to purity, propriety, and precision; and, with respect to sentences, to perspicuity, unity, and strength. Under each of these heads, we shall arrange in the form of short precepts a few of the most important directions for the forming of a good style.

SECTION I.-OF PURITY.

Purity of style consists in the use of such words and phrases only, as belong to the language which we write or speak.

PRECEPT 1. Avoid the unnecessary use of foreign words or idioms: as, fraicheur, hauteur, delicatesse, politesse, noblesse; he repented himself; it serves to an excellent purpose.

PRECEPT 2. Avoid, on ordinary occasions, obsolete or antiquated words; as, whilom, erewhile, whoso, albeit, moreover, aforetime, methinks.

PRECEPT 3. Avoid strange or unauthorized words: as, flutteration, inspectator, judgematical, incumberment, connexity, electerized, martyrized.

PRECEPT 4. Avoid bombast, or affectation of fine writing. It is ridiculous, however serious the subject: as, "Personifications, however rich the depic tions, and unconstrained their latitude; analogies, however imposing the

objects of parallel, and the media of comparison; can never expose the consequences of sin to the extent of fact, or the range of demonstration."— Anonymous.

SECTION IL-OF PROPRIETY.

Propriety of language consists in the selection and right construction, of such words as the best usage has appropriated to those ideas which we in tend to express by them.

PRECEPT 1. Avoid low and provincial expressions: such as, "Says I;""Thinks I to myself;"-"To get into a scrape;"-"Stay here while I return." PRECEPT 2. In writing prose, avoid words and phrases that are merely poetical: such as, morn, eve, plaint, lone, amid, oft, steepy;—" what time the winds arise."

PRECEPT 3. Avoid technical terms: except where they are necessary, in treating of a particular art or science. In technology, they are proper.

PRECEPT 4. Avoid the recurrence of words in different senses, or such a repetition of words as denotes paucity of language: as, "His own reason might have suggested better reasons."-"Gregory favoured the und rtaking, for no other reason than this; that the manager, in countenance, favoured his friend."-"I want to go and see what he wants."

PRECEPT 5. Supply words that are wanting: thus, in stead of saying, "This action increased his former services," say, "This action increased the merit of his former services." "His memory

PRECEPT 6. Avoid equivocal or ambiguous expressions: as, shall be lost on the earth."-"I long since learned to like nothing but what you do."

PRECEPT 7. Avoid unintelligible and inconsistent expressions: as, "I have observed that the superiority among these coffee-house politicians, proceeds from an opinion of gallantry and fashion."-"These words do not convey even an opaque idea of the author's meaning."

PRECEPT 8. Observe the natural order of things or events, and do not put the cart before the horse: as, "The scribes taught and studied the law of Moses." "They can neither return to nor leave their houses."—"He tumbled, head over heels, into the water."

SECTION III.-OF PRECISION.

Precision consists in avoiding all superfluous words, and adapting the expression exactly to the thought, so as to exhibit neither more nor less than is intended by the author.

PRECEPT 1. Avoid a useless tautology, either of expression or sentiment: as in, "Return again;-return back again;-converse together;-rise up;— fall down-enter in a mutual likeness to each other; the latter end;liquid streams;-grateful thanks;-the last of all;-throughout the whole book." "Whenever I go, he always meets me there."-"Where is he at In there."-"Nothing else but that.""It is odious and hateful."—"His faithfulness and fidelity should be rewarded."

PRECEPT 2. Observe the exact meaning of words accounted synonymous, and employ those which are the most suitable: as, "A diligent scholar may acquire knowledge, gain celebrity, obtain rewards, win prizes, and get high honour, though he earn no money." These six verbs have nearly the same meaning, and yet they cannot well be changed.

SECTION IV.-OF PERSPICUITY.

Perspicuity consists in freedom from obscurity or ambiguity. It is a qual ity so essential, in every kind of writing, that for the want of it, no merit can atone. "Without this, the richest ornaments of style, only glimmer through the dark, and puzzle instead of pleasing the reader."-Blair. Perspicuity, being the most important property of language, and an exemption from the most embarrassing defects, seems even to rise to a degree of posiFive beauty. We are naturally pleased with a style that frees us from all

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