When your affairs come round, one way or t'other, Go to the coffeehouse, and take another.* XLIX. But this is not my maxim: had it been, LIV. But Adeline was far from that ripe age, For she had seen the world, and stood its test, Some heart-aches had been spared me: yet I As I have said in-I forget what page: care not I would not be a tortoise in his screen Of stubborn shell, which waves and weather 'Tis better, on the whole, to have felt and seen L. Of all the horrid, hideous notes of woe, LI. The Lady Adeline's serene severity Was not confined to feeling for her friend, Whose fame she rather doubted with posterity, Unless her habits should begin to mend ; But Juan also shared in her austerity, My Muse despises reference, as you've guess'd By this time;-but strike six from seven-andtwenty, And you will find her sum of years in plenty. LV. At sixteen she came out, presented, vaunted; LVI. Since then she had sparkled through three Admired, adored; but also so correct, But mix'd with pity, pure as e'er was penn'd: To bear a son and heir-and one miscarriage. His inexperience moved her gentle ruth, Oh Time! why dost not pause? Thy scythe, so dirty With rust, should surely cease to hack and Reset it: shave more smoothly, also slower, *In Swift's or Horace Walpole's letters, I think it is mentioned that somebody, regretting the loss of a friend, was answered by an universal Pylades; "When I lose one, I go to the St James's Coffeehouse, and take another." I recollect having heard an anecdote of the same kind. Sir W. D. was a great gamester. Coming in one day to the club of which he was a member, he was observed to look melancholy "What is the matter, Sir William?' cried Hare, of facetious memory. "Ah," replied Sir W., "I have just lost poor Lady D.", """Lost! What at-Quinze or Hazard? was the consolatory rejoinder of the querist. LVII. Fondly the wheeling fire-flies flew around her, She was a pitch beyond a coxcomb's flight. But whatsoe'er she wish'd, she acted right: And whether coldness, pride, or virtue, dignify A woman, so she's good, what does it signify? LVIII. I hate a motive, like a lingering bottle, I hate it, as I hate a drove of cattle, Who whirl the dust, as simooms whirl the sand: I hate it, as I hate an argument, A laureate's ode, or servile peer's "content.' LIX. 'Tis sad to hack into the roots of things, They're so much intertwisted with the earth: LX. With the kind view of saving an éclat, Both to the Duchess and diplomatist, In England ranks quite on a different list I. CANTO THE FIFTEENTH. AH!-What should follow slips from my reflec tion: Whatever follows ne'ertheless may be As apropos of hope or retrospection, As though the lurking thought had follow'd free. All present life is but an interjection, An "Oh!" or "Ah!" of joy or misery, Or a "Ha! ha!" or "Bah!"-a yawn, or "Pooh!" Of which perhaps the latter is most true. II. But more or less, the whole's a syncopé Or a singultus-emblems of emotion, That grand antithesis to great ennui, And for which Nature might forego her debtSole creditor whose process doth involve in't The luck of finding everybody solvent. VIII. Oh death! thou dunnest of all duns! thou daily Knockest at doors, at first with modest tap, Like a meek tradesman when approaching palely Some splendid debtor he would take by sap: But oft denied, as patience 'gins to fail, he Advances with exasperated rap, And (if let in) insists, in terms unhandsome, IX. Whate'er thou takest, spare awhile poor Beauty! She is so rare, and thou hast so much prey. Wherewith we break our bubbles on the What though she now and then may slip from ocean, That watery outline of eternity, Or miniature, at least, as is my notion, Which ministers unto the soul's delight, In seeing matters which are out of sight. III. But all are better than the sigh supprest, Corroding in the cavern of the heart, Making the countenance a mask of rest, And turning human nature to an art. duty? The more's the reason why you ought to stay. Gaunt Gourmand! with whole nations for your booty, You should be civil in a modest way: Suppress, then, some slight feminine diseases; And take as many heroes as Heaven pleases. X. Fair Adeline, the more ingenuous Where she was interested (as was said), Few men dare show their thoughts of worst or Because she was not apt, like some of us, best: Dissimulation always sets apart A corner for herself; and therefore fiction Is that which passes with least contradiction. IV. Ah! who can tell? Or rather who can not Remember, without telling, passion's errors? The drainer of oblivion, even the sot, Hath got blue devils for his morning mirrors: What though on Lethe's stream he seem to float, He cannot sink his tremors or his terrors: The ruby glass that shakes within his hand, Leaves a sad sediment of Time's worst sand. V. And as for love-Oh love!--We will proceed. Must perch harmonious on my tuneful quill. There's music in the sighing of a reed; There's music in the gushing of a rill; There's music in all things, if men had ears: Their earth is but an echo of the spheres. VI. The Lady Adeline, right honourable, And honour'd, ran a risk of growing less so: For few of the soft sex are very stable In their resolves-alas, that I should say so! They differ as wine differs from its label, When once decanted;- I presume to guess so, But will not swear: yet both, upon occasion, Till old, may undergo adulteration. VII. But Adeline was of the purest vintage, To like too readily, or too high bred To show it (points we need not now discuss), Would give up artlessly both heart and head Unto such feelings as seem'd innocent, For objects worthy of the sentiment. XI. Some parts of Juan's history, which Rumour, That live-gazette, had scatter'd, to disfigure, She had heard; but women hear with more good humour Such aberrations, than we men of rigour: Besides his conduct since in England grew more Strict, and his mind assumed a manlier vigour; Because he had, like Alcibiades, The art of living in all climes with ease. XII. His manner was perhaps the more seductive, XIII. They are wrong-that's not the way to set about it; As, if they told the truth, could well be shown. But, right or wrong, Don Juan was without it: In fact, his manner was his own alone. Sincere he was-at least you could not doubt it, In listening merely to his voice's tone. The devil hath not, in all his quiver's choice, An arrow for the heart like a sweet voice. XIV. By nature soft, his whole address held off Suspicion: though not timid, his regard |