friendly physician, Dr. Barry, she caused a small edition of Plato to be so bound as to resemble a novel. He did not know, skillful and kind though he were, that to her such books were not an arduous and painful study, but a consolation and a delight. Returned to London, she began the life which she continued for so many years, confined to one large and commodious but darkened chamber, admitting only her own affectionate family and a few devoted friends (I, myself, have often joyfully traveled five-and-forty miles to see her, and returned the same evening, without entering another house); reading almost every book worth reading in almost every language, and giving herself, heart and soul, to that poetry of which she seemed born to be the priestess. Gradually her health improved. About four years ago she married Mr. Browning, and immediately accompanied him to Pisa. They then settled at Florence; and this summer I have had the exquisite pleasure of seeing her once more in London, with a lovely boy at her knee, almost as well as ever, and telling tales of Italian rambles, of losing herself in chestnut forests, and scrambling on muleback up the sources of extinct volcanoes. May Heaven continue to her such health and such happiness! . In her abundant riches it is difficult to select extracts. If I did not know her scorn of her own earlier works (for she was the most precocious of authoresses, wrote largely at ten years old, and more than well at fifteen)—if I were not aware of her fastidiousness, I should be tempted to rescue certain exquisite stanzas which I-find printed at the end of her first version of the "Prometheus Bound" -for, dissatisfied with her girlish translation of the grand old Greek, she recommenced her labor, and went fairly through the drama from the first line to the last; but she has condemned the poem, and therefore I refrain. Perhaps there is some personal preference in the selection I do make, since I first received it written in her own clear and beautiful manuscript, on the fly-leaf of another volume, which she has also withdrawn from circulation. Besides being one of the earliest, it is among the most characteristic of her smaller THE SEAMEW. How joyously the young seamew poems. Whereon our little bark had thrown Familiar with the waves, and free And such a brightness in his eye, We were not cruel, yet did sunder His white wing from the blue waves under, We bore our ocean bird unto The flowers of earth were pale to him And when earth's dew around him lay He thought of ocean's wingéd spray And his eye waxed pale and dim. The green trees round him only made Then One her gladsome face did bring, He lay down in his grief to die, Perhaps the very finest of Mrs. Browning's poems is "The Lady Geraldine's Courtship," written (to meet the double exigency of completing the uniformity of the original two volumes, and of catching the vessel that was to carry the proofs to America) in the incredible space of twelve hours. That delicious ballad must have been lying unborn in her head and in her heart; but when we think of its length and of its beauty, the shortness of time in which it was put into form appears one of the most stupendous efforts of the human mind. And the writer was a delicate woman, a confirmed invalid, just dressed and supported for two or three hours from her bed to her sofa, and so back again Let me add, too, that the exertion might have been avoided by a new arrangement of the smaller poems, if Miss Barrett would only have consented to place "Pan is Dead" at the end of the first volume instead of the second. The difference does not seem much. But she had promised Mr. Kenyon that " Pan is Dead” should conclude the collection; and Mr. Kenyon was out of town and could not release her word. To this delicate conscientiousness we owe one of the most charming love-stories in any language. It is too long for insertion here; and I no more dare venture an abridgment, than I should venture to break one of the crown jewels. So the Dead Pan shall take the place. It were mere pedantry to compare Schiller's "Gods of Greece" to this glorious gallery of classical statues, fresh and life-like, as if just struck into beauty by the chisel of Phidias. I transcribe Mrs. Browning's own modest and graceful introduction. THE DEAD PAN. 'Excited by Schiller's 'Götter Griechenlands,' and partly founded on a well-known tradition mentioned in a treatise of Plutarch ("De Oraculorum Defectu"), according to which, at the hour of the Savior's agony, a cry of "Great Pan is Dead!" swept across the waves in the hearing of certain mariners, and the oracles ceased. "It is in all veneration to the memory of the deathless Schiller that I oppose a doctrine still more dishonoring to poetry than to Christianity. "As Mr. Kenyon's graceful and harmonious paraphrase of the German poem was the first occasion of my turning my thoughts in this direction, I take advantage of the pretense to indulge my feelings (which overflow on other grounds), by inscribing my lyric to that dear friend and relative, with the earnestness of appre ciating esteem as well as of affectionate gratitude.--E. B. B." Not a word the Naiads say Though the rivers run for aye,— For Pan is dead. From the glooming of the oak-wood, At the rushing thunder-stroke, would For Pan is dead. Have ye left the mountain places, Of the everlasting hills. Pan, Pan is dead. O, twelve gods of Plato's vision Now Pan is dead. Jove! that right hand is unloaded, Pan, Pan is dead. Where, O Juno! is the glory Pan, Pan is dead. Ha, Apollo! Floats his golden |