James Joyce, Ulysses, and the Construction of Jewish Identity: Culture, Biography, and 'the Jew' in Modernist EuropeCambridge University Press, 24 սեպ, 1998 թ. - 324 էջ Representations of "the Jew" have long been a topic of interest in Joyce studies; in James Joyce, Ulysses, and the construction of Jewish identity Neil R. Davison argues that Joyce's lifelong encounter with pseudo-scientific, religious, and political discourse about "the Jew" forms a unifying component of his career. Davison offers new biographical material to support the claim that "the Jew" was a dynamic aspect of Joyce's imagination from youth to adulthood, and presents a detailed reading of Ulysses to show how Joyce draws on Christian folklore, Dreyfus Affair propaganda, Sinn Fein politics, and theories of Jewish sexual perversion and financial conspiracy. |
From inside the book
Էջ xi
... Bloom ' ( Svevo ) . ' Bloom is Joyce's philo - Semitic account of a Jew more truly representative of his people than the hostile stereotypes purveyed by anti - Semites . In Bloom , Joyce both created ( or ' constructed ' ) a character ...
... Bloom ' ( Svevo ) . ' Bloom is Joyce's philo - Semitic account of a Jew more truly representative of his people than the hostile stereotypes purveyed by anti - Semites . In Bloom , Joyce both created ( or ' constructed ' ) a character ...
Էջ xii
... Bloom , present a sympathetic Jew ? and if so , ( 2 ) is he to be taken as representative of his people ? and if so , ( 3 ) is this likely to persuade the novel's readers to question their own anti - Semitism ( if they are anti ...
... Bloom , present a sympathetic Jew ? and if so , ( 2 ) is he to be taken as representative of his people ? and if so , ( 3 ) is this likely to persuade the novel's readers to question their own anti - Semitism ( if they are anti ...
Էջ xv
... Bloom at any rate represents the terminus ad quem of this story . He too is a physiognomic blank . His first appearance , in the Calypso chapter , is unaccompanied by any account of his features or physical shape : ' Mr Leopold Bloom ...
... Bloom at any rate represents the terminus ad quem of this story . He too is a physiognomic blank . His first appearance , in the Calypso chapter , is unaccompanied by any account of his features or physical shape : ' Mr Leopold Bloom ...
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Էջ 3
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James Joyce, Ulysses, and the Construction of Jewish Identity: Culture ... Neil R. Davison Դիտել հնարավոր չէ - 1996 |
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allusion Angiolina anti-clericism anti-Jewish anti-Semitism appears arguments Arnold asserts assimilation became become believes Belvedere Bloom Bloom's Jewishness Brentani Byrne Catholic character Christian Church Clongowes course culture Cyclops Deasy's deicidal discourse Disraeli Dodd Dreyfus Dreyfus Affair Dublin Ellmann encountered English episode essay Europe European father Ferrero Fishberg's French Gogarty Gogarty's Griffith Hebraic Hebraism and Hellenism Hebrew Ibid influence Ireland Irish Irishman Italo Svevo Ivanhoe James Joyce Jesuit Jesus Jew's Jewish identity Jewish nature Jewry Jews of Ireland JJII John Joyce Joyce read Joyce's Judaism later Leopold Bloom literary Livia London Louis Hyman modern Moreover myth Nadel nationalism nationalist Nietzsche Nietzsche's Nitti novel Paris Parnell perceived perception persecution political Portrait protagonists race racial recognized religious representations represents rhetoric role Schmitz secular Semitic Sinn Féin social Stanislaus Stanislaus Joyce Stephen stereotype struggle suggests theories throughout translated Trieste Ulysses University College University Press Weininger Weininger's writing York Zionism