Negotiating Dissidence: The Pioneering Women of Arab DocumentaryEdinburgh University Press, 08 մրտ, 2017 թ. - 248 էջ The first book to trace the female pioneers of Arab documentary filmmakingIn spite of harsh censorship, conservative morals and a lack of investment, women documentarists in the Arab world have found ways to subtly negotiate dissidence in their films, something that is becoming more apparent since the aArab Revolutions. In this book, Stefanie Van de Peer traces the very beginnings of Arab women making documentaries in the Middle East and North Africa (MENA), from the 1970s and 1980s in Egypt and Lebanon, to the 1990s and 2000s in Morocco and Syria.Supporting a historical overview of the documentary form in the Arab world with a series of in-depth case studies, Van de Peer looks at the work of pioneering figures like Ateyyat El Abnoudy, the amother of Egyptian documentary, Tunisias Selma Baccar and the Palestinian filmmaker Mai Masri. Addressing the context of the films production, distribution and exhibition, the book also asks why these women held on to the ideals of a type of filmmaking that was unlikely to be accepted by the censor, and looks at precisely how the women documentarists managed to frame expressions of dissent with the tools available to the documentary maker.Case studies include:Egypt's Ateyyat El AbnoudyLebanon's Jocelyne Saab Algeria's Assia DjebarTunisia's Selma Baccar Palestine's Mai MasriMorocco's Izza GA(c)nini Syria's Hala Alabdallah Yakoub |
Բովանդակություն
Poetic Realism in Egyptian Documentaries | |
ArtisticJournalistic Documentaries in Lebanese | |
Nonfiction in Tunisia the Land of Fictions | |
Algerian Imagesson in Experimental Documentaries | |
Mothering Filmmakers in Palestinian Revolutionary | |
The Performance of Heritage in Moroccan Music | |
Documentary as Poetic Subjective | |
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Negotiating Dissidence: The Pioneering Women of Arab Documentary Stefanie Van de Peer Դիտել հնարավոր չէ - 2018 |
Negotiating Dissidence: The Pioneering Women of Arab Documentary Stefanie Van de Peer Դիտել հնարավոր չէ - 2017 |
Common terms and phrases
Abnoudy’s Adnan Algerian Arab world artistic Assia Djebar audience Aziza Ba’ath Baccar become Beirut camera censorship Cheikhat Chenoua close-up colonial complex cultural director discourse Djebar documentary documentary film Dreams écriture féminine Egypt Egyptian Egyptian cinema emphasises enfolded essay film Etel Adnan exile experience experimental exploration face facial expressions Fatma 75 feel female feminist fiction Film Festival film-makers focus focuses friends gaze Génini Hala Alabdallah Hillauer homeland identity illustrates images independent inside intersubjective interviews Israeli Jocelyne Saab Khleifi La Nouba Lebanese Lebanon Lila Lila’s listening lives look Maghreb maker male Masri memory Moroccan Morocco Naficy narrative Nouba Nûba Palestine Palestinian Palestinian cinema past performance political present Raghida reality refugee camps relationship represent representation reveals role Saab Saab’s Salti says screen shows social solidarity songs speak spectator stories struggle subaltern Syrian cinema Third Cinema transnational trauma Tunisian visual voice voice-over woman women young