The Scottish World: History and Culture of ScotlandHarold Orel, Marilyn Stokstad, Henry L. Snyder Abrams, 1981 - 328 էջ |
From inside the book
Արդյունքներ 29–ի 1-ից 3-ը:
Էջ 79
... portrait . That Ramsay was more than a painter of physical surfaces , but could penetrate to the character of his sitter , can be seen in his later portraits - and nowhere better than the portraits of his friends , the philosophers ...
... portrait . That Ramsay was more than a painter of physical surfaces , but could penetrate to the character of his sitter , can be seen in his later portraits - and nowhere better than the portraits of his friends , the philosophers ...
Էջ 111
... portraits and eventually abandoned his goldsmith's trade for portrait painting . He married a wealthy widow about 1780 and , thus relieved of financial concerns , determined to study painting properly , i.e. , in London and Rome ...
... portraits and eventually abandoned his goldsmith's trade for portrait painting . He married a wealthy widow about 1780 and , thus relieved of financial concerns , determined to study painting properly , i.e. , in London and Rome ...
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... Portrait Gallery , The National Buildings Record , and The Royal Commission on the Ancient and Historical Mon- uments of Scotland . Robert Morton , Director of Special Projects at Abrams , and Emily Berns , Assistant to Mr. Morton ...
... Portrait Gallery , The National Buildings Record , and The Royal Commission on the Ancient and Historical Mon- uments of Scotland . Robert Morton , Director of Special Projects at Abrams , and Emily Berns , Assistant to Mr. Morton ...
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