The Actor And The Text
Random House, 29 февр. 2012 г. - Всего страниц: 304
Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre.
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... and where the expectations of the listener are often an inhibiting factor — i.e., these texts have been heard before. But whatever the style of the writing, the actor has to find the right energy for that particular text ...
... and so is particularly sensitive to both criticism and to feelings of unease. This is true even in our everyday life: we find our voice changes according to how we feel our status to be at any given moment. lt is also true ...
It is through the words that we will find the possibilities of the sound. I think this over-consciousness of sound dulls our response to words, and somehow lets us off the hook of thinking accurately through them.
Most of us have something in our lives which we find painful to talk about, a condition or event, where the act of committing this to words makes us not quite in control of our physical self ...
At the other end of the scale, the actor who is attracted by the emotional quality and mood of a character will find a poetic and romantic line, and the thoughts will more often than not become generalized. He presses out the mood, ...
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LibraryThing ReviewПользовательский отзыв - DeborahJ2016 - LibraryThing
A guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing ReviewПользовательский отзыв - Roger_Scoppie - LibraryThing
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Further Points of Text
Relating to Other Texts
Further Voice Exercises
Index of Quotations