The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 9
... find the right energy for that particular text ; if his energy becomes too inward and controlled the words become dull ; if he presses too much energy out the words will be unfocused and the thought will be generalized . Either way the ...
... find the right energy for that particular text ; if his energy becomes too inward and controlled the words become dull ; if he presses too much energy out the words will be unfocused and the thought will be generalized . Either way the ...
Стр. 16
... find our voice changes according to how we feel our status to be at any given moment . It is also true that we are quite strongly affected by criticism of our voice , even to the point of it inhibiting our wish to talk . None of this ...
... find our voice changes according to how we feel our status to be at any given moment . It is also true that we are quite strongly affected by criticism of our voice , even to the point of it inhibiting our wish to talk . None of this ...
Стр. 18
... find the possibilities of the sound . I think this over - consciousness of sound dulls our response to words , and somehow lets us off the hook of thinking accurately through them . ( b ) How the actor works This second reason is to do ...
... find the possibilities of the sound . I think this over - consciousness of sound dulls our response to words , and somehow lets us off the hook of thinking accurately through them . ( b ) How the actor works This second reason is to do ...
Стр. 23
... find a true release of thought through them , for he is denying something of the nature of the thought . And whilst I respect enormously the desire to be truthful , if he holds back in this way he will not find the life - force which ...
... find a true release of thought through them , for he is denying something of the nature of the thought . And whilst I respect enormously the desire to be truthful , if he holds back in this way he will not find the life - force which ...
Стр. 25
... find great benefit from work in the Alexander Technique which teaches a conscious awareness of bodily alignment , and through this a freeing of physical tension in both movement and stillness . But relaxation of itself is not a virtue ...
... find great benefit from work in the Alexander Technique which teaches a conscious awareness of bodily alignment , and through this a freeing of physical tension in both movement and stillness . But relaxation of itself is not a virtue ...
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing