The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 9
... find the right energy for that particular text; if his energy becomes too inward and controlled the words become dull; if he presses too much energy out the words will be unfocused and the thought will be generalized. Either way the ...
... find the right energy for that particular text; if his energy becomes too inward and controlled the words become dull; if he presses too much energy out the words will be unfocused and the thought will be generalized. Either way the ...
Стр. 16
... find our voice changes according to how we feel our status to be at any given moment. lt is also true that we are quite strongly affected by criticism of our voice, even to the point of it inhibiting our wish to talk. None of this ...
... find our voice changes according to how we feel our status to be at any given moment. lt is also true that we are quite strongly affected by criticism of our voice, even to the point of it inhibiting our wish to talk. None of this ...
Стр. 18
... find the possibilities of the sound. I think this over-consciousness of sound dulls our response to words, and somehow lets us off the hook of thinking accurately through them. (b) How the actor works This second reason is to do with ...
... find the possibilities of the sound. I think this over-consciousness of sound dulls our response to words, and somehow lets us off the hook of thinking accurately through them. (b) How the actor works This second reason is to do with ...
Стр. 23
... find a true release of thought through them, for he is denying something of the nature of the thought. And whilst I respect enormously the desire to be truthful, if he holds back in this way he will not find the life-force which the ...
... find a true release of thought through them, for he is denying something of the nature of the thought. And whilst I respect enormously the desire to be truthful, if he holds back in this way he will not find the life-force which the ...
Стр. 25
... find great benefit from work in the Alexander Technique which teaches a conscious awareness of bodily alignment, and through this a freeing of physical tension in both movement and stillness. But relaxation of itself is not a virtue ...
... find great benefit from work in the Alexander Technique which teaches a conscious awareness of bodily alignment, and through this a freeing of physical tension in both movement and stillness. But relaxation of itself is not a virtue ...
Содержание
8 | |
24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing