The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 9
... and where the expectations of the listener are often an inhibiting factor — i.e., these texts have been heard before. But whatever the style of the writing, the actor has to find the right energy for that particular text ...
... and where the expectations of the listener are often an inhibiting factor — i.e., these texts have been heard before. But whatever the style of the writing, the actor has to find the right energy for that particular text ...
Стр. 16
... and so is particularly sensitive to both criticism and to feelings of unease. This is true even in our everyday life: we find our voice changes according to how we feel our status to be at any given moment. lt is also true ...
... and so is particularly sensitive to both criticism and to feelings of unease. This is true even in our everyday life: we find our voice changes according to how we feel our status to be at any given moment. lt is also true ...
Стр. 18
It is through the words that we will find the possibilities of the sound. I think this over-consciousness of sound dulls our response to words, and somehow lets us off the hook of thinking accurately through them.
It is through the words that we will find the possibilities of the sound. I think this over-consciousness of sound dulls our response to words, and somehow lets us off the hook of thinking accurately through them.
Стр. 20
Most of us have something in our lives which we find painful to talk about, a condition or event, where the act of committing this to words makes us not quite in control of our physical self ...
Most of us have something in our lives which we find painful to talk about, a condition or event, where the act of committing this to words makes us not quite in control of our physical self ...
Стр. 23
At the other end of the scale, the actor who is attracted by the emotional quality and mood of a character will find a poetic and romantic line, and the thoughts will more often than not become generalized. He presses out the mood, ...
At the other end of the scale, the actor who is attracted by the emotional quality and mood of a character will find a poetic and romantic line, and the thoughts will more often than not become generalized. He presses out the mood, ...
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |