The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 6
... Finding the space 2 Using poetry 3 Cadence and note Chapter Twelve : Further Voice Exercises Further Perspectives Index of Quotations Quotes by Subject 171 171 178 185 189 205 205 213 220 229 240 251 251 253 254 255 260 260 265 273 274 ...
... Finding the space 2 Using poetry 3 Cadence and note Chapter Twelve : Further Voice Exercises Further Perspectives Index of Quotations Quotes by Subject 171 171 178 185 189 205 205 213 220 229 240 251 251 253 254 255 260 260 265 273 274 ...
Стр. 17
... that the speaker is not finding the correct muscular pressure for the consonants , and certainly this is often the case ; but it is never just that , for it always has to do with the speaker's commitment. 17 SOUND AND MEANING.
... that the speaker is not finding the correct muscular pressure for the consonants , and certainly this is often the case ; but it is never just that , for it always has to do with the speaker's commitment. 17 SOUND AND MEANING.
Стр. 18
... finding the reason for the words he has to speak , of relating them both to his own experience and to the motive of the character , in order to make them authentic . The way he does this will vary according to the text he is speaking ...
... finding the reason for the words he has to speak , of relating them both to his own experience and to the motive of the character , in order to make them authentic . The way he does this will vary according to the text he is speaking ...
Стр. 20
... finding the words associated with the feeling and being precise about it can in itself be upsetting , and we may break down in the telling . Most of us have something in our lives which we find painful to talk about , a condition or ...
... finding the words associated with the feeling and being precise about it can in itself be upsetting , and we may break down in the telling . Most of us have something in our lives which we find painful to talk about , a condition or ...
Стр. 34
... finding out how verbal comedy works , and often on a literary enjoyment of language . It is not ordinary , and it is conscious ; it is in a sort of way public . This applies mostly to comedy , though there are serious plays those of ...
... finding out how verbal comedy works , and often on a literary enjoyment of language . It is not ordinary , and it is conscious ; it is in a sort of way public . This applies mostly to comedy , though there are serious plays those of ...
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing