The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 6
... Jacobean text 2 Restoration text 3 Formal modern text 4 Modern text Part FOUR: Voice Work Chapter Eleven: Preparation 1 Finding the space 2 Using poetry 3 Cadence and note Chapter Twelve: Further Voice Exercises Further Perspectives ...
... Jacobean text 2 Restoration text 3 Formal modern text 4 Modern text Part FOUR: Voice Work Chapter Eleven: Preparation 1 Finding the space 2 Using poetry 3 Cadence and note Chapter Twelve: Further Voice Exercises Further Perspectives ...
Стр. 17
Technically it could be that the speaker is not finding the correct muscular pressure for the consonants, and certainly this is often the case; but it is never just that, for it always has to do with the speaker's commitment.
Technically it could be that the speaker is not finding the correct muscular pressure for the consonants, and certainly this is often the case; but it is never just that, for it always has to do with the speaker's commitment.
Стр. 18
Each actor has his own way of working, and therefore of finding the reason for the words he has to speak, of relating them both to his own experience and to the motive of the character, in order to make them authentic.
Each actor has his own way of working, and therefore of finding the reason for the words he has to speak, of relating them both to his own experience and to the motive of the character, in order to make them authentic.
Стр. 20
However, were we to tell someone about it, the act of putting the feeling into words — finding the words associated with the feeling and being precise about it — can in itself be upsetting, and we may break down in the telling.
However, were we to tell someone about it, the act of putting the feeling into words — finding the words associated with the feeling and being precise about it — can in itself be upsetting, and we may break down in the telling.
Стр. 34
It does, however, depend on an ear for shaping phrases, on finding out how verbal comedy works, and often on a literary enjoyment of language. It is not ordinary, and it is conscious; it is in a sort of way public.
It does, however, depend on an ear for shaping phrases, on finding out how verbal comedy works, and often on a literary enjoyment of language. It is not ordinary, and it is conscious; it is in a sort of way public.
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |