The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 4
To the memory of my husband Harry Moore This cdition first published in Great Britain in 2000 by Virgin Books Thames Wharf Studios Rainville Road London W6 9HA Reprinted 2003' 2006. 2007. 2008, 2009, 2010, 2011 Rewind edition first ...
To the memory of my husband Harry Moore This cdition first published in Great Britain in 2000 by Virgin Books Thames Wharf Studios Rainville Road London W6 9HA Reprinted 2003' 2006. 2007. 2008, 2009, 2010, 2011 Rewind edition first ...
Стр. 8
Penguin Modern Haywrights—S luv the esttna [run Dingo, by Chlrlci Wood. first published in I969 The Society of Authors. on behalf of the Bernard Shaw estate, lot the cittnct from MM and Superman. Pmguin edition. published in 1946.
Penguin Modern Haywrights—S luv the esttna [run Dingo, by Chlrlci Wood. first published in I969 The Society of Authors. on behalf of the Bernard Shaw estate, lot the cittnct from MM and Superman. Pmguin edition. published in 1946.
Стр. 15
1 ATTITUDES T0 VOICE First, 1 want to look at the factors which hold us back from making the text as rich and alive as possible. This may seem negative, but 1 think there are certain attitudes and ways of working by which we are ...
1 ATTITUDES T0 VOICE First, 1 want to look at the factors which hold us back from making the text as rich and alive as possible. This may seem negative, but 1 think there are certain attitudes and ways of working by which we are ...
Стр. 22
However, I think that because we see lines on the printed page first, the residual effect is that we keep them within that connotation. Our eyes take in a grammatical set of words -- a sense clump ...
However, I think that because we see lines on the printed page first, the residual effect is that we keep them within that connotation. Our eyes take in a grammatical set of words -- a sense clump ...
Стр. 32
The first is quite simply to do with practice. There is less opportunity to work in classical text than in modern, and you have to get to grips with it before you begin to see how it works, so you can go with it.
The first is quite simply to do with practice. There is less opportunity to work in classical text than in modern, and you have to get to grips with it before you begin to see how it works, so you can go with it.
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |