The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 21
... Lear Recognizing these two factors, I) that words have a physical root, and, 2) that they are an active force, gives the speaker another dimension. They are also very practical notions to hold on to. But l would make a further point: if ...
... Lear Recognizing these two factors, I) that words have a physical root, and, 2) that they are an active force, gives the speaker another dimension. They are also very practical notions to hold on to. But l would make a further point: if ...
Стр. 28
... Lear, Act IV, Scene 4. The scene comes roughly thrcequarters of the way through the play, after Lear has been rejected by his two eldest daughters, has been exposed to the storm, and has been sighted wandering near the cliffs at Dover ...
... Lear, Act IV, Scene 4. The scene comes roughly thrcequarters of the way through the play, after Lear has been rejected by his two eldest daughters, has been exposed to the storm, and has been sighted wandering near the cliffs at Dover ...
Стр. 30
... Lear in a German translation with a group of actors in Hamburg, and I remember particularly this Cordelia speech and how we worked on it. Its whole nature changed because of the didactic sound of the German language, and how difficult ...
... Lear in a German translation with a group of actors in Hamburg, and I remember particularly this Cordelia speech and how we worked on it. Its whole nature changed because of the didactic sound of the German language, and how difficult ...
Стр. 40
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Содержание
8 | |
24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing