The Actor And The Text
Random House, 29 февр. 2012 г. - Всего страниц: 304
Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre.
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Let us look for a moment at the following ten lines of Othello, just at how the speech breathes. The lines come from Act II], Scene 3, near the end of the central scene between Othello and Iago, during which Iago has worked so ...
Othello: 0, blood, blood, blood! Iago: Patience, I say: your mind perhaps may change. Othello: Never, Iago. Like to the Pontic sea, Whose icy current and compulsive course Ne'er feels retiring ebb, but keeps due on To the Propontic and ...
This first is again from Othello, and is to do with choice of vocabulary. ln Act Ill, Scene 3, lago, dropping the seeds of suspicion into Othello's consciousness, says: Iago: Good name in man or woman, dear my lord, is the immediate ...
manipulation of Othello. He could have used two other words, but these two are both implicitly in opposition to 'good name'; and what is more, they both sound ugly. We are therefore receiving information through choice and sound of ...
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LibraryThing ReviewПользовательский отзыв - DeborahJ2016 - LibraryThing
A guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing ReviewПользовательский отзыв - Roger_Scoppie - LibraryThing
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Further Points of Text
Relating to Other Texts
Further Voice Exercises
Index of Quotations