The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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&THE TEXT 'The essential key to opening up the secrets of a difficult text' jcrsmy lrnns CICELY BERRY 0.13.5 VOICE DIRECTOR OF THE ROYAL SHAKESPEARE COMPANY FOREWORD BY TREVOR NUNN THE ACTOR AND THE TEXT Also by Cicely Berry Voice.
&THE TEXT 'The essential key to opening up the secrets of a difficult text' jcrsmy lrnns CICELY BERRY 0.13.5 VOICE DIRECTOR OF THE ROYAL SHAKESPEARE COMPANY FOREWORD BY TREVOR NUNN THE ACTOR AND THE TEXT Also by Cicely Berry Voice.
Стр. 5
... Text Chapter One: Sound and Meaning l Attitudes to voice 2 The practical means Chapter Two: Heightened versus Naturalistic Text Part TWO: Shakespeare — Setting out the Rules Chapter Three: Metre and Rhythm Chapter Four: Structures, ...
... Text Chapter One: Sound and Meaning l Attitudes to voice 2 The practical means Chapter Two: Heightened versus Naturalistic Text Part TWO: Shakespeare — Setting out the Rules Chapter Three: Metre and Rhythm Chapter Four: Structures, ...
Стр. 8
... printed from the cditiun ctlitcd by “1.0. lngnrn and Theodore Redpuh Mothuu't for the qutxltiau [run Tutu Andmnictu, printed from The Arden Shakespeare, edited by Richard Proudl'oot (Generll Editor) Ind LC' Maxwell.
... printed from the cditiun ctlitcd by “1.0. lngnrn and Theodore Redpuh Mothuu't for the qutxltiau [run Tutu Andmnictu, printed from The Arden Shakespeare, edited by Richard Proudl'oot (Generll Editor) Ind LC' Maxwell.
Стр. 9
I do believe that work on Shakespeare is the surest way of learning about text, and for these reasons: because it demands such a complete investment of ourselves in the words; because it is so rich and extraordinary we are forced to be ...
I do believe that work on Shakespeare is the surest way of learning about text, and for these reasons: because it demands such a complete investment of ourselves in the words; because it is so rich and extraordinary we are forced to be ...
Стр. 10
Having worked in a company for over twenty years where the focus is to a great extent on Shakespeare, 1 think there are things we have discovered together — practical ways of working on the text — which help us into the language and are ...
Having worked in a company for over twenty years where the focus is to a great extent on Shakespeare, 1 think there are things we have discovered together — practical ways of working on the text — which help us into the language and are ...
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
8 | |
24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing