The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 8
... Audience and On Leaving the Theatre, by Edward Bond, [mm 'Theatre Pout-it and Songs', [978 edition Sigrid Books. by arrangement with New Direqtcnt Bookt Ind Tenmtnu Williams, for the extract frun A Streetcar Mind Desire. by Tennessee ...
... Audience and On Leaving the Theatre, by Edward Bond, [mm 'Theatre Pout-it and Songs', [978 edition Sigrid Books. by arrangement with New Direqtcnt Bookt Ind Tenmtnu Williams, for the extract frun A Streetcar Mind Desire. by Tennessee ...
Стр. 11
... audience. It is about how to use the freedom we get in exercises when we are being real in speech. It is about making the language organic, so that the words act as the spur to the sound, and so that flexibility and range are found ...
... audience. It is about how to use the freedom we get in exercises when we are being real in speech. It is about making the language organic, so that the words act as the spur to the sound, and so that flexibility and range are found ...
Стр. 14
... audience. He wants it to be accurate to his intention and to sound unforced. He wants to know that he is carrying the listener with him for, in the end, it is the voice which sets up the main bond between him and his audience. Certainly ...
... audience. He wants it to be accurate to his intention and to sound unforced. He wants to know that he is carrying the listener with him for, in the end, it is the voice which sets up the main bond between him and his audience. Certainly ...
Стр. 15
... audience, a different style of speaking perhaps. 1 ATTITUDES T0 VOICE First, 1 want to look at the factors which hold us back from making the text as rich and alive as possible. This may seem negative, but 1 think there are certain ...
... audience, a different style of speaking perhaps. 1 ATTITUDES T0 VOICE First, 1 want to look at the factors which hold us back from making the text as rich and alive as possible. This may seem negative, but 1 think there are certain ...
Стр. 21
... audience — obviously we speak louder so that they can hear — but in a subtle way we still keep the words at an energy level with which we are comfortable. In fact we increase the sound energy, the volume, but do not increase the verbal ...
... audience — obviously we speak louder so that they can hear — but in a subtle way we still keep the words at an energy level with which we are comfortable. In fact we increase the sound energy, the volume, but do not increase the verbal ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |