The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 8
... ptblishod 1981; the two we To no Audience and On Leaving the Theatre, by Edward Bond, [mm 'Theatre Pout-it and Songs', [978 edition Sigrid Books. by arrangement with New Direqtcnt Bookt Ind Tenmtnu Williams, for the extract frun A ...
... ptblishod 1981; the two we To no Audience and On Leaving the Theatre, by Edward Bond, [mm 'Theatre Pout-it and Songs', [978 edition Sigrid Books. by arrangement with New Direqtcnt Bookt Ind Tenmtnu Williams, for the extract frun A ...
Стр. 11
So, this book is not simply about making the voice sound more interesting, It is about getting inside the words we use, responding to them in as free a way as possible, and then presenting that response to an audience.
So, this book is not simply about making the voice sound more interesting, It is about getting inside the words we use, responding to them in as free a way as possible, and then presenting that response to an audience.
Стр. 14
He knows that the audience want to be let into his character, and that this will happen to a large extent through his voice and speech. Above all, he wants it to be interesting. This sounds simple enough, but many things get in the way.
He knows that the audience want to be let into his character, and that this will happen to a large extent through his voice and speech. Above all, he wants it to be interesting. This sounds simple enough, but many things get in the way.
Стр. 15
And so 1 think we have to keep reassessing our attitudes to language — never taking it for granted — for this is our commitment; and each piece of writing asks for a different connection between the actor and his audience, a different ...
And so 1 think we have to keep reassessing our attitudes to language — never taking it for granted — for this is our commitment; and each piece of writing asks for a different connection between the actor and his audience, a different ...
Стр. 21
This of course does not mean that we are not aware of projecting to an audience — obviously we speak louder so that they can hear — but in a subtle way we still keep the words at an energy level with which we are comfortable.
This of course does not mean that we are not aware of projecting to an audience — obviously we speak louder so that they can hear — but in a subtle way we still keep the words at an energy level with which we are comfortable.
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |