The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 9
... becomes too inward and controlled the words become dull; if he presses too much energy out the words will be unfocused and the thought will be generalized. Either way the result is that the speaking of text or dialogue is too often not ...
... becomes too inward and controlled the words become dull; if he presses too much energy out the words will be unfocused and the thought will be generalized. Either way the result is that the speaking of text or dialogue is too often not ...
Стр. 10
... become current. Therefore we must always be after the reaching out through words, and not a dulled, inward-kinking ... becomes even more complex when we are dealing with text. As we shall be talking a great deal about the image we have ...
... become current. Therefore we must always be after the reaching out through words, and not a dulled, inward-kinking ... becomes even more complex when we are dealing with text. As we shall be talking a great deal about the image we have ...
Стр. 11
... becomes ordinary at the moment of speaking. I think this is because we are tentative and do not know how far we can go, or because we do not know how to explore the language boldly enough without being unreal. I want, in this book, to ...
... becomes ordinary at the moment of speaking. I think this is because we are tentative and do not know how far we can go, or because we do not know how to explore the language boldly enough without being unreal. I want, in this book, to ...
Стр. 18
... become slightly less important than the thought, instead of being the thought in action. So the actor remains iust behind the words — a metaphorical half inch — and not quite on them. This is not a big problem, but a very common one ...
... become slightly less important than the thought, instead of being the thought in action. So the actor remains iust behind the words — a metaphorical half inch — and not quite on them. This is not a big problem, but a very common one ...
Стр. 19
... becomes what l call passive, and not active, in that we are presenting the result of a thought and not the thought itself. We are then at one remove from the words, and there is no possibility of either ourselves or the listener being ...
... becomes what l call passive, and not active, in that we are presenting the result of a thought and not the thought itself. We are then at one remove from the words, and there is no possibility of either ourselves or the listener being ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |