The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 24
... breath and verbal movement are part of that need. Whatever work we do on breathing and articulation must be towards this end. Like any interpretive artist, actors have to work at their craft because they are always being faced with the ...
... breath and verbal movement are part of that need. Whatever work we do on breathing and articulation must be towards this end. Like any interpretive artist, actors have to work at their craft because they are always being faced with the ...
Стр. 25
... breath. It is breath that gives us our strength, and when we feel strong tension becomes unnecessary. l suppose what l am really saying is: do not worry about tension — work on it but do not worry about it. Find your strength, your breath ...
... breath. It is breath that gives us our strength, and when we feel strong tension becomes unnecessary. l suppose what l am really saying is: do not worry about tension — work on it but do not worry about it. Find your strength, your breath ...
Стр. 26
... breath and the thought as one. We need to be able to encompass one thought with one breath, In everyday life we do not run out of breath in the middle of an idea — or seldom — so, even though the lengths of thought in a text are ...
... breath and the thought as one. We need to be able to encompass one thought with one breath, In everyday life we do not run out of breath in the middle of an idea — or seldom — so, even though the lengths of thought in a text are ...
Стр. 27
... breath, and Othello reaching for that thought: his feelings are released, and that release happens by means of the breath. The inevitability of the thought, and the small phrases rocking within it, allow us into the movement and passion ...
... breath, and Othello reaching for that thought: his feelings are released, and that release happens by means of the breath. The inevitability of the thought, and the small phrases rocking within it, allow us into the movement and passion ...
Стр. 28
... breath, so we need sureness in placing the word, and some actors need more conscious work in this area than others. But all these exercises must be done with this awareness: that we release the thought, itself a physical activity ...
... breath, so we need sureness in placing the word, and some actors need more conscious work in this area than others. But all these exercises must be done with this awareness: that we release the thought, itself a physical activity ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |