The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 24
Again, what I am going to say will seem simple, but the deeper we take it the more important it will be: we have to make the breath and the muscular formation of the words the means by which the thought is released.
Again, what I am going to say will seem simple, but the deeper we take it the more important it will be: we have to make the breath and the muscular formation of the words the means by which the thought is released.
Стр. 25
What is important is to find where our energy lies, and that is always with the breath. It is breath that gives us our strength, and when we feel strong tension becomes unnecessary. l suppose what l am really ...
What is important is to find where our energy lies, and that is always with the breath. It is breath that gives us our strength, and when we feel strong tension becomes unnecessary. l suppose what l am really ...
Стр. 26
We have to see the breath not simply as the means by which we make good sound and communicate information; but rather we have to see it as the physical life of the thought, so that we conceive the breath and the thought as one.
We have to see the breath not simply as the means by which we make good sound and communicate information; but rather we have to see it as the physical life of the thought, so that we conceive the breath and the thought as one.
Стр. 27
If we honour each one of these small phrases, yet ride the whole sentence on one breath, we will come close to the elemental nature of that thought. That is the skill we need, yet without ever losing the spoken impulse, for it should ...
If we honour each one of these small phrases, yet ride the whole sentence on one breath, we will come close to the elemental nature of that thought. That is the skill we need, yet without ever losing the spoken impulse, for it should ...
Стр. 28
Exercises are important to make us agile of speech, so that we can go as quickly as the thought takes us; and lust as we need unlimited breath, so we need sureness in placing the word, and some actors need more conscious work in this ...
Exercises are important to make us agile of speech, so that we can go as quickly as the thought takes us; and lust as we need unlimited breath, so we need sureness in placing the word, and some actors need more conscious work in this ...
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |