The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 9
... character he is playing, and the life that he gives the text which he finally has to speak. It is as if the energy ... characters is totally apparent and palpable; and lastly because, and this is particularly important for the modern ...
... character he is playing, and the life that he gives the text which he finally has to speak. It is as if the energy ... characters is totally apparent and palpable; and lastly because, and this is particularly important for the modern ...
Стр. 15
... character —— he has to be able to pick up the resonances of the character through the words given in the script. He must touch the character through the language. Yet also we have to allow that language to bear on our own experience so ...
... character —— he has to be able to pick up the resonances of the character through the words given in the script. He must touch the character through the language. Yet also we have to allow that language to bear on our own experience so ...
Стр. 18
... character which lie precisely in the choice of language, though this could be a necessary and valid stage in our preparation. In Shakespeare the motive of the character and the way the character expresses himself coincide in a positive ...
... character which lie precisely in the choice of language, though this could be a necessary and valid stage in our preparation. In Shakespeare the motive of the character and the way the character expresses himself coincide in a positive ...
Стр. 19
... character, but the speaking should be free to the moment. And this is not as difficult as it sounds, as we shall see. You must forgive me if 1 say the same thing in more than one way. As I have said, to talk about voice is always ...
... character, but the speaking should be free to the moment. And this is not as difficult as it sounds, as we shall see. You must forgive me if 1 say the same thing in more than one way. As I have said, to talk about voice is always ...
Стр. 20
... character. But 1 think that awareness is not always allowed to inform the speaking, because we feel we must be in control. it is of course not necessarily a sad experience that can affect us physically in this way. We get feelings of ...
... character. But 1 think that awareness is not always allowed to inform the speaking, because we feel we must be in control. it is of course not necessarily a sad experience that can affect us physically in this way. We get feelings of ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |