The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 9
For it seems to me there is so often a gap between the life that is going on imaginatively within the actor in order to create the reality of the character he is playing, and the life that he gives the text which he finally has to speak ...
For it seems to me there is so often a gap between the life that is going on imaginatively within the actor in order to create the reality of the character he is playing, and the life that he gives the text which he finally has to speak ...
Стр. 15
He must touch the character through the language. Yet also we have to allow that language to bear on our own experience so that it is real for us, and this asks for a continual blending of our own truth with the truth of the character.
He must touch the character through the language. Yet also we have to allow that language to bear on our own experience so that it is real for us, and this asks for a continual blending of our own truth with the truth of the character.
Стр. 18
Each actor has his own way of working, and therefore of finding the reason for the words he has to speak, of relating them both to his own experience and to the motive of the character, in order to make them authentic.
Each actor has his own way of working, and therefore of finding the reason for the words he has to speak, of relating them both to his own experience and to the motive of the character, in order to make them authentic.
Стр. 19
This of course does not mean that we should he uncontrolled; we must be clear and organized as to the motive and reasoning of the character, but the speaking should be free to the moment. And this is not as difficult as it sounds, ...
This of course does not mean that we should he uncontrolled; we must be clear and organized as to the motive and reasoning of the character, but the speaking should be free to the moment. And this is not as difficult as it sounds, ...
Стр. 20
... the study of a character. But 1 think that awareness is not always allowed to inform the speaking, because we feel we must be in control. it is of course not necessarily a sad experience that can affect us physically in this way.
... the study of a character. But 1 think that awareness is not always allowed to inform the speaking, because we feel we must be in control. it is of course not necessarily a sad experience that can affect us physically in this way.
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |