The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 5
... : Substance of the Text 1 Sounds: vowels and consonants 2 Hearing the language: substance of text 3 language fabric 1 S 24 32 52 82 82 95 I04 110 US 121 128 I40 I43 143 148 157 Chapter Seven: Metre and Energy 1 Metre 2 Energy through.
... : Substance of the Text 1 Sounds: vowels and consonants 2 Hearing the language: substance of text 3 language fabric 1 S 24 32 52 82 82 95 I04 110 US 121 128 I40 I43 143 148 157 Chapter Seven: Metre and Energy 1 Metre 2 Energy through.
Стр. 17
... it could be that the speaker is not finding the correct muscular pressure for the consonants, and certainly this is often the case; but it is never just that, for it always has to do with the speaker's commitment. 17 SOUND AND MEANING.
... it could be that the speaker is not finding the correct muscular pressure for the consonants, and certainly this is often the case; but it is never just that, for it always has to do with the speaker's commitment. 17 SOUND AND MEANING.
Стр. 21
... consonants, being aware of the physical movement of the words and making them reach. We tend to reduce their possibilities to our everyday expectation of them — anything else sounds slightly false to our ears — instead of giving them ...
... consonants, being aware of the physical movement of the words and making them reach. We tend to reduce their possibilities to our everyday expectation of them — anything else sounds slightly false to our ears — instead of giving them ...
Стр. 23
... consonants and reduce the vowels to equal short weight and length. The speaking then becomes emphatic, which at once reduces the possibilities within the text by keeping it at a totally logical level. It is literal and allows for no ...
... consonants and reduce the vowels to equal short weight and length. The speaking then becomes emphatic, which at once reduces the possibilities within the text by keeping it at a totally logical level. It is literal and allows for no ...
Стр. 29
... consonants need to fulfil their vibrations. For example, the vowels are short in the words 'alack' and 'hemlock', long in 'sea' and 'weeds', and even longer, because they are dipthongal, in 'crowned' and 'grow'. The time the consonants ...
... consonants need to fulfil their vibrations. For example, the vowels are short in the words 'alack' and 'hemlock', long in 'sea' and 'weeds', and even longer, because they are dipthongal, in 'crowned' and 'grow'. The time the consonants ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |