The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
Результаты поиска по книге
Результаты 1 – 5 из 24
Стр. 9
... dialogue is too often not as alive or remarkable as the imagination that is feeding it . I do believe that work on Shakespeare is the surest way of learning about text , and for these reasons : because it demands such a complete ...
... dialogue is too often not as alive or remarkable as the imagination that is feeding it . I do believe that work on Shakespeare is the surest way of learning about text , and for these reasons : because it demands such a complete ...
Стр. 10
... dialogue . We have to honour a greater need , and that is to make what we say remarkable to the hearer . This is what Brecht was after . Now obviously this cannot apply to everything we do mediocre dialogue in second - rate scripts ...
... dialogue . We have to honour a greater need , and that is to make what we say remarkable to the hearer . This is what Brecht was after . Now obviously this cannot apply to everything we do mediocre dialogue in second - rate scripts ...
Стр. 15
... dialogue to take us into the world of the character he has to be able to pick up the resonances of the character through the words given in the script . He must touch the character through the language . Yet also we have to allow that ...
... dialogue to take us into the world of the character he has to be able to pick up the resonances of the character through the words given in the script . He must touch the character through the language . Yet also we have to allow that ...
Стр. 22
... dialogue from a printed page , which is in itself a cerebral process . We know that to make it our own we have to repeat it until it is physically ' on the tongue ' ; we have got to get round the words . However , I think that because ...
... dialogue from a printed page , which is in itself a cerebral process . We know that to make it our own we have to repeat it until it is physically ' on the tongue ' ; we have got to get round the words . However , I think that because ...
Стр. 34
... dialogue is rooted in everyday speech patterns , and where imagery is more incidental than essential . Now this of course is very loose , and is immediately open to contradiction . For poetic writing is often naturalistic in sound ...
... dialogue is rooted in everyday speech patterns , and where imagery is more incidental than essential . Now this of course is very loose , and is immediately open to contradiction . For poetic writing is often naturalistic in sound ...
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing