The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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... to opening up the secrets of a difficult text' jcrsmy lrnns CICELY BERRY 0.13.5 VOICE DIRECTOR OF THE ROYAL SHAKESPEARE COMPANY FOREWORD BY TREVOR NUNN THE ACTOR AND THE TEXT Also by Cicely Berry Voice. THE ACTOR Front Cover.
... to opening up the secrets of a difficult text' jcrsmy lrnns CICELY BERRY 0.13.5 VOICE DIRECTOR OF THE ROYAL SHAKESPEARE COMPANY FOREWORD BY TREVOR NUNN THE ACTOR AND THE TEXT Also by Cicely Berry Voice. THE ACTOR Front Cover.
Стр. 10
... difficult subject to write about — l know from my experience of teaching it that everyone responds to instruction in different ways. Each person recognizes what is happening with his own voice purely subjectively, and although the basic ...
... difficult subject to write about — l know from my experience of teaching it that everyone responds to instruction in different ways. Each person recognizes what is happening with his own voice purely subjectively, and although the basic ...
Стр. 14
... difficult it is to be simple, and to release the words directly and without pressure. Depending on the actor, this tension between himself and the text can make him over-explain, be over-emphatic, or over-charge the speaking with ...
... difficult it is to be simple, and to release the words directly and without pressure. Depending on the actor, this tension between himself and the text can make him over-explain, be over-emphatic, or over-charge the speaking with ...
Стр. 16
... difficult to work on our own voice both boldly and creatively, because it means we have to let go of our own patterns. Let me explain: given that our voice is our sound presence, and is the means by which we commit our private world to ...
... difficult to work on our own voice both boldly and creatively, because it means we have to let go of our own patterns. Let me explain: given that our voice is our sound presence, and is the means by which we commit our private world to ...
Стр. 18
... difficult is to judge exactly the right energy needed. for somehow, to be that much more positive in speech is a balance we resist, for it is tied up with our own taste and our wish not to be crude. However, what is itnportant is that ...
... difficult is to judge exactly the right energy needed. for somehow, to be that much more positive in speech is a balance we resist, for it is tied up with our own taste and our wish not to be crude. However, what is itnportant is that ...
Содержание
8 | |
24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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