The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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&THE TEXT 'The essential key to opening up the secrets of a difficult text' jcrsmy lrnns CICELY BERRY 0.13.5 VOICE DIRECTOR OF THE ROYAL SHAKESPEARE COMPANY FOREWORD BY TREVOR NUNN THE ACTOR AND THE TEXT Also by Cicely Berry Voice.
&THE TEXT 'The essential key to opening up the secrets of a difficult text' jcrsmy lrnns CICELY BERRY 0.13.5 VOICE DIRECTOR OF THE ROYAL SHAKESPEARE COMPANY FOREWORD BY TREVOR NUNN THE ACTOR AND THE TEXT Also by Cicely Berry Voice.
Стр. 10
Now Voice is a difficult subject to write about — l know from my experience of teaching it that everyone responds to instruction in different ways. Each person recognizes what is happening with his own voice purely subjectively, ...
Now Voice is a difficult subject to write about — l know from my experience of teaching it that everyone responds to instruction in different ways. Each person recognizes what is happening with his own voice purely subjectively, ...
Стр. 14
... possibilities he sees within the character — the more difficult it is to be simple, and to release the words directly and without pressure. Depending on the actor, this tension between himself and the text can make him over-explain, ...
... possibilities he sees within the character — the more difficult it is to be simple, and to release the words directly and without pressure. Depending on the actor, this tension between himself and the text can make him over-explain, ...
Стр. 16
It is curiously difficult to work on our own voice both boldly and creatively, because it means we have to let go of our own patterns. Let me explain: given that our voice is our sound presence, and is the means by which we commit our ...
It is curiously difficult to work on our own voice both boldly and creatively, because it means we have to let go of our own patterns. Let me explain: given that our voice is our sound presence, and is the means by which we commit our ...
Стр. 18
And what is difficult is to judge exactly the right energy needed. for somehow, to be that much more positive in speech is a balance we resist, for it is tied up with our own taste and our wish not to be crude.
And what is difficult is to judge exactly the right energy needed. for somehow, to be that much more positive in speech is a balance we resist, for it is tied up with our own taste and our wish not to be crude.
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |