The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 5
... emotion 7 Word games and patterns ཨྰཿ R འཎྜསྠ ་ྲ པྲ སྲྀ 52 82 82 90 95 104 110 115 121 8 Structure of speeches 128 Part THREE : Shakespeare the Practical Means Chapter Six : Substance of the Text Chapter Five : Introduction to the ...
... emotion 7 Word games and patterns ཨྰཿ R འཎྜསྠ ་ྲ པྲ སྲྀ 52 82 82 90 95 104 110 115 121 8 Structure of speeches 128 Part THREE : Shakespeare the Practical Means Chapter Six : Substance of the Text Chapter Five : Introduction to the ...
Стр. 11
... emotions , so that we make them either only literal and logical , or alternatively only emotional . We do not use them as our thoughts in action , which are always shifting and changing , and are the result of both thought and feeling ...
... emotions , so that we make them either only literal and logical , or alternatively only emotional . We do not use them as our thoughts in action , which are always shifting and changing , and are the result of both thought and feeling ...
Стр. 16
... emotional state , and to our self - esteem . Yet , because we hear the sound via the bone conduction in our own heads , and also because we hear it subjectively in the sense that it is tied up with our perception of our voice and how we ...
... emotional state , and to our self - esteem . Yet , because we hear the sound via the bone conduction in our own heads , and also because we hear it subjectively in the sense that it is tied up with our perception of our voice and how we ...
Стр. 17
... emotional response to the sound of our voice in everyday life we so often transmit our needs in the tone that we use . ) So often , when I have been listening to a performance , I have made a mental note , ' sound v . words ' ; and to ...
... emotional response to the sound of our voice in everyday life we so often transmit our needs in the tone that we use . ) So often , when I have been listening to a performance , I have made a mental note , ' sound v . words ' ; and to ...
Стр. 19
... emotion allied to literature and art . We have the bloated language of the media and of much political speaking . We also have highly sophisticated slang which communicates social patterns and change , often subversively and always with ...
... emotion allied to literature and art . We have the bloated language of the media and of much political speaking . We also have highly sophisticated slang which communicates social patterns and change , often subversively and always with ...
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing