The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 5
... emotion 7 Word games and patterns 8 Structure of speeches Part THREE: Shakespeare — the Practical Means Chapter Five: Introduction to the Exercises Chapter Six: Substance of the Text 1 Sounds: vowels and consonants 2 Hearing the ...
... emotion 7 Word games and patterns 8 Structure of speeches Part THREE: Shakespeare — the Practical Means Chapter Five: Introduction to the Exercises Chapter Six: Substance of the Text 1 Sounds: vowels and consonants 2 Hearing the ...
Стр. 11
... emotions, so that we make them either only literal and logical, or alternatively only emotional. We do not use them as our thoughts in action, which are always shifting and changing, and are the result of both thought and feeling ...
... emotions, so that we make them either only literal and logical, or alternatively only emotional. We do not use them as our thoughts in action, which are always shifting and changing, and are the result of both thought and feeling ...
Стр. 16
... emotional state, and to our selfesteem. Yet, because we hear the sound via the bone conduction in our own heads, and also because we hear it subjectively in the sense that it is tied up with our perception of our voice and how we would ...
... emotional state, and to our selfesteem. Yet, because we hear the sound via the bone conduction in our own heads, and also because we hear it subjectively in the sense that it is tied up with our perception of our voice and how we would ...
Стр. 17
... emotional response to the sound of our voice — in everyday life we so often transmit our needs in the tone that we use.) So often, when l have been listening to a performance, l have made a mental note, 'sound v. words'; and to me it ...
... emotional response to the sound of our voice — in everyday life we so often transmit our needs in the tone that we use.) So often, when l have been listening to a performance, l have made a mental note, 'sound v. words'; and to me it ...
Стр. 19
... emotion allied to literature and art. We have the bloated language of the media and of much political speaking. We also have highly sophisticated slang which communicates social patterns and change, often subversively and always with ...
... emotion allied to literature and art. We have the bloated language of the media and of much political speaking. We also have highly sophisticated slang which communicates social patterns and change, often subversively and always with ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |