The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 5
... its logic, and its inquiry into nature 6 Argument and emotion 7 Word games and patterns 8 Structure of speeches Part THREE: Shakespeare — the Practical Means Chapter Five: Introduction to the Exercises Chapter Six: Substance of the ...
... its logic, and its inquiry into nature 6 Argument and emotion 7 Word games and patterns 8 Structure of speeches Part THREE: Shakespeare — the Practical Means Chapter Five: Introduction to the Exercises Chapter Six: Substance of the ...
Стр. 11
I think we tend to use words as if they belong to either our reason or to our emotions, so that we make them either only literal and logical, or alternatively only emotional. We do not use them as our thoughts in action, ...
I think we tend to use words as if they belong to either our reason or to our emotions, so that we make them either only literal and logical, or alternatively only emotional. We do not use them as our thoughts in action, ...
Стр. 16
The important point I think is this: we are more strongly aware of our own sound than we realize, and that sound is strongly bound to our emotional state, and to our selfesteem. Yet, because we hear the sound via the bone conduction in ...
The important point I think is this: we are more strongly aware of our own sound than we realize, and that sound is strongly bound to our emotional state, and to our selfesteem. Yet, because we hear the sound via the bone conduction in ...
Стр. 17
(And this again is tied up with our subconscious emotional response to the sound of our voice — in everyday life we so often transmit our needs in the tone that we use.) So often, when l have been listening to a performance, ...
(And this again is tied up with our subconscious emotional response to the sound of our voice — in everyday life we so often transmit our needs in the tone that we use.) So often, when l have been listening to a performance, ...
Стр. 19
We may have technological jargon of every kind, we have legal language, language of sensibility and emotion allied to literature and art. We have the bloated language of the media and of much political speaking.
We may have technological jargon of every kind, we have legal language, language of sensibility and emotion allied to literature and art. We have the bloated language of the media and of much political speaking.
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |