The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
Результаты поиска по книге
Результаты 1 – 5 из 80
Стр. 5
... Energy' Imagery and Sound 1 Energy through the text 2 Antithesis 3 Substance of the word 4 Discovery and movement of thought 5 Nature of the image, its logic, and its inquiry into nature 6 Argument and ... Energy 1 Metre 2 Energy through.
... Energy' Imagery and Sound 1 Energy through the text 2 Antithesis 3 Substance of the word 4 Discovery and movement of thought 5 Nature of the image, its logic, and its inquiry into nature 6 Argument and ... Energy 1 Metre 2 Energy through.
Стр. 6
Cicely Berry. Chapter Seven: Metre and Energy 1 Metre 2 Energy through the text 3 Subversion — or making language your own Chapter Eight: Acting, Text and Style Chapter Nine: Further Points of Text l Prose 2 Heightcned music 3 Scene ...
Cicely Berry. Chapter Seven: Metre and Energy 1 Metre 2 Energy through the text 3 Subversion — or making language your own Chapter Eight: Acting, Text and Style Chapter Nine: Further Points of Text l Prose 2 Heightcned music 3 Scene ...
Стр. 9
... energy and excitement that an actor feels when working on a part is not released fttlly when he commits to words ... energy for that particular text; if his energy becomes too inward and controlled the words become dull; if he presses ...
... energy and excitement that an actor feels when working on a part is not released fttlly when he commits to words ... energy for that particular text; if his energy becomes too inward and controlled the words become dull; if he presses ...
Стр. 15
... energy needed for the text you are working with and the space you are working in. And I feel strongly that we tend to work on voice as an end in itself, and somehow do not see that work through clearly enough to the specific speaking of ...
... energy needed for the text you are working with and the space you are working in. And I feel strongly that we tend to work on voice as an end in itself, and somehow do not see that work through clearly enough to the specific speaking of ...
Стр. 18
... energy needed. for somehow, to be that much more positive in speech is a balance we resist, for it is tied up with our own taste and our wish not to be crude. However, what is itnportant is that the energy of the thought and the word ...
... energy needed. for somehow, to be that much more positive in speech is a balance we resist, for it is tied up with our own taste and our wish not to be crude. However, what is itnportant is that the energy of the thought and the word ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing