The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 5
... out the Rules Chapter Three: Metre and Rhythm Chapter Four: Structures, Energy' Imagery and Sound 1 Energy through the text 2 Antithesis 3 Substance of the word 4 Discovery and movement of thought 5 Nature of the image, its logic, ...
... out the Rules Chapter Three: Metre and Rhythm Chapter Four: Structures, Energy' Imagery and Sound 1 Energy through the text 2 Antithesis 3 Substance of the word 4 Discovery and movement of thought 5 Nature of the image, its logic, ...
Стр. 6
Chapter Seven: Metre and Energy 1 Metre 2 Energy through the text 3 Subversion — or making language your own Chapter Eight: Acting, Text and Style Chapter Nine: Further Points of Text l Prose 2 Heightcned music 3 Scene structures 4 ...
Chapter Seven: Metre and Energy 1 Metre 2 Energy through the text 3 Subversion — or making language your own Chapter Eight: Acting, Text and Style Chapter Nine: Further Points of Text l Prose 2 Heightcned music 3 Scene structures 4 ...
Стр. 9
It is as if the energy and excitement that an actor feels when working on a part is not released fttlly when he commits to words, when he is bound by the language set down. And this is true of all kinds of text, both modern and ...
It is as if the energy and excitement that an actor feels when working on a part is not released fttlly when he commits to words, when he is bound by the language set down. And this is true of all kinds of text, both modern and ...
Стр. 15
Yet all these over-statements which come out of an anxiety to present are a matter of balance, of judging the precise amount of energy needed for the text you are working with and the space you are working in.
Yet all these over-statements which come out of an anxiety to present are a matter of balance, of judging the precise amount of energy needed for the text you are working with and the space you are working in.
Стр. 18
But somehow he very often stays with the reasons in his head, without quite springing the energy of the thought into the words. In a sense, the words are by-passed, and they become slightly less important than the thought, ...
But somehow he very often stays with the reasons in his head, without quite springing the energy of the thought into the words. In a sense, the words are by-passed, and they become slightly less important than the thought, ...
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
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Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |