The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 15
... feel strongly that we tend to work on voice as an end in itself , and somehow do not see that work through clearly ... feeling its weight and movement . Just as , in everyday life , how a person uses language ( or does not use ...
... feel strongly that we tend to work on voice as an end in itself , and somehow do not see that work through clearly ... feeling its weight and movement . Just as , in everyday life , how a person uses language ( or does not use ...
Стр. 16
... feel inside . We are used to our own voice in a quite palpable way , and I think it quite unconsciously forms the way we think about language and use it . It is curiously difficult to work on our own voice both boldly and creatively ...
... feel inside . We are used to our own voice in a quite palpable way , and I think it quite unconsciously forms the way we think about language and use it . It is curiously difficult to work on our own voice both boldly and creatively ...
Стр. 17
... feel we are doing too much and the result will not be quite true . Our concern , then , is often to make the voice behave in the way in which we feel comfortable , to be in control of it , and to some extent plan it . This prevents us ...
... feel we are doing too much and the result will not be quite true . Our concern , then , is often to make the voice behave in the way in which we feel comfortable , to be in control of it , and to some extent plan it . This prevents us ...
Стр. 20
... feel a sense of relief , but not only that , I think we feel physically different ; there is almost a chemical change , and we say we have ' got something off our chest ' . The point being that the words have been the instrument of ...
... feel a sense of relief , but not only that , I think we feel physically different ; there is almost a chemical change , and we say we have ' got something off our chest ' . The point being that the words have been the instrument of ...
Стр. 22
... feel out of control of the sense . I know from my experience in working on Shakespeare with groups of schoolchildren ... feels under pressure to present some. 22 THE ACTOR AND THE TEXT.
... feel out of control of the sense . I know from my experience in working on Shakespeare with groups of schoolchildren ... feels under pressure to present some. 22 THE ACTOR AND THE TEXT.
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing