The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 7
... hear her shrieks of laughter and her intense. private whispers as she looks full into your eyes and you will glimpse that ingredient that makes her an inspirational teacher, her humanity, or perhaps I should say, her love. Jhmvok NUNN ...
... hear her shrieks of laughter and her intense. private whispers as she looks full into your eyes and you will glimpse that ingredient that makes her an inspirational teacher, her humanity, or perhaps I should say, her love. Jhmvok NUNN ...
Стр. 11
... hear it, and how we unconsciously use it in the light of our personality. our physical makeup and our experience ... hear it (our car), and this is also involved with our aesthetic pleasure in sound and consequent judgement of it; c) our ...
... hear it, and how we unconsciously use it in the light of our personality. our physical makeup and our experience ... hear it (our car), and this is also involved with our aesthetic pleasure in sound and consequent judgement of it; c) our ...
Стр. 16
... hear it accurately. We obviously never hear it in the way we hear someone else's voice — we are aware of this when we hear ourselves on tape, but even then we listen subjectively. It certainly seldom tallies with how others hear us; but ...
... hear it accurately. We obviously never hear it in the way we hear someone else's voice — we are aware of this when we hear ourselves on tape, but even then we listen subjectively. It certainly seldom tallies with how others hear us; but ...
Стр. 17
... hear it as a mannerism. So when an actor is working on a part, he needs to discover and experience feelings while he is speaking, while at the same time he must know what effect his voice is having. He needs to know his voice both ...
... hear it as a mannerism. So when an actor is working on a part, he needs to discover and experience feelings while he is speaking, while at the same time he must know what effect his voice is having. He needs to know his voice both ...
Стр. 21
... hear — but in a subtle way we still keep the words at an energy level with which we are comfortable. In fact we increase the sound energy, the volume, but do not increase the verbal energy to balance with it. Now the energy required to ...
... hear — but in a subtle way we still keep the words at an energy level with which we are comfortable. In fact we increase the sound energy, the volume, but do not increase the verbal energy to balance with it. Now the energy required to ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |