The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 5
... Text Chapter One: Sound and Meaning l Attitudes to voice 2 The practical means Chapter Two: Heightened versus Naturalistic Text Part TWO: Shakespeare — Setting out the Rules Chapter Three: Metre and Rhythm Chapter Four: Structures, ...
... Text Chapter One: Sound and Meaning l Attitudes to voice 2 The practical means Chapter Two: Heightened versus Naturalistic Text Part TWO: Shakespeare — Setting out the Rules Chapter Three: Metre and Rhythm Chapter Four: Structures, ...
Стр. 7
This book is full of the essential Berry, her responses to language— aneient and modern. heightened and prosaic~her missionary zeal. her reciprocal requirement for seriousness and dedication. But. gentle reader. try as you work through ...
This book is full of the essential Berry, her responses to language— aneient and modern. heightened and prosaic~her missionary zeal. her reciprocal requirement for seriousness and dedication. But. gentle reader. try as you work through ...
Стр. 9
And this is true of all kinds of text, both modern and classical, though the problems are different and the gap is more apparent in the speaking of heightened or poetic text where there is a certain size to the language, and where the ...
And this is true of all kinds of text, both modern and classical, though the problems are different and the gap is more apparent in the speaking of heightened or poetic text where there is a certain size to the language, and where the ...
Стр. 10
... keeps our cars tuned to the colloquial rhythms of everyday speech, which need to be integrated into our speaking of verse. We should be always balancing the two for, in a sense, every piece oftext we speak on a stage is heightened ...
... keeps our cars tuned to the colloquial rhythms of everyday speech, which need to be integrated into our speaking of verse. We should be always balancing the two for, in a sense, every piece oftext we speak on a stage is heightened ...
Стр. 22
This is of course apparent in heightened language, but I believe it to be true of naturalistic writing as well. To fill another character we need to open ourselves to all the possibilities of the language, and this has to reach an ...
This is of course apparent in heightened language, but I believe it to be true of naturalistic writing as well. To fill another character we need to open ourselves to all the possibilities of the language, and this has to reach an ...
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |