The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 9
... between the physical and verbal life of the characters is totally apparent and palpable; and lastly because, and this is particularly important for the modern actor, the structure of the thought demands both courage and discipline.
... between the physical and verbal life of the characters is totally apparent and palpable; and lastly because, and this is particularly important for the modern actor, the structure of the thought demands both courage and discipline.
Стр. 10
... I think it is also important to say here that, as actors, we are able to be articulate through the language we bring alive; we therefore have a responsibility to that language/The care and life that we bring to it helps the hearers ...
... I think it is also important to say here that, as actors, we are able to be articulate through the language we bring alive; we therefore have a responsibility to that language/The care and life that we bring to it helps the hearers ...
Стр. 11
And it is important always to remember the subiective nature of the voice, for it helps us to work through the limitations we make for ourselves. In Voice and the Actor 1 have covered the general aspects of voice production, ...
And it is important always to remember the subiective nature of the voice, for it helps us to work through the limitations we make for ourselves. In Voice and the Actor 1 have covered the general aspects of voice production, ...
Стр. 15
... adjustment that is needed is to do with the perception of language; sometimes it is technical; more often than not it is a mixture of both. 1 think these inhibiting factors fall roughly into five areas — the order is not important: ...
... adjustment that is needed is to do with the perception of language; sometimes it is technical; more often than not it is a mixture of both. 1 think these inhibiting factors fall roughly into five areas — the order is not important: ...
Стр. 16
The important point I think is this: we are more strongly aware of our own sound than we realize, and that sound is strongly bound to our emotional state, and to our selfesteem. Yet, because we hear the sound via the bone conduction in ...
The important point I think is this: we are more strongly aware of our own sound than we realize, and that sound is strongly bound to our emotional state, and to our selfesteem. Yet, because we hear the sound via the bone conduction in ...
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |