The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 7
... her influence. This book is full of the essential Berry, her responses to language— aneient and modern. heightened and prosaic~her missionary zeal. her reciprocal requirement for seriousness and dedication.
... her influence. This book is full of the essential Berry, her responses to language— aneient and modern. heightened and prosaic~her missionary zeal. her reciprocal requirement for seriousness and dedication.
Стр. 11
So we see it is very bound up with our formative years — whether we were encouraged to speak or not, what influenced us, etc. — and to break from our habits of speech is often a huge step to take. And it is important always to remember ...
So we see it is very bound up with our formative years — whether we were encouraged to speak or not, what influenced us, etc. — and to break from our habits of speech is often a huge step to take. And it is important always to remember ...
Стр. 21
We are obviously influenced in this by television, where the more naturalistic the actor appears the better, though even this requires to be presented and needs great skill, but of a different kind. In all live performance there.
We are obviously influenced in this by television, where the more naturalistic the actor appears the better, though even this requires to be presented and needs great skill, but of a different kind. In all live performance there.
Стр. 42
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Стр. 117
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
8 | |
24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing