The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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... Substance of the Text 1 Sounds: vowels and consonants 2 Hearing the language: substance of text 3 language fabric 1 S 24 32 52 82 82 95 I04 110 US 121 128 I40 I43 143 148 157 Chapter Seven: Metre and Energy 1 Metre 2 Energy through.
... Substance of the Text 1 Sounds: vowels and consonants 2 Hearing the language: substance of text 3 language fabric 1 S 24 32 52 82 82 95 I04 110 US 121 128 I40 I43 143 148 157 Chapter Seven: Metre and Energy 1 Metre 2 Energy through.
Her mission is to expand the awareness of language, its roots. its possibilities of meaning, its physical seat and vibration, its associations. its weight and texture and colour. More than a teacher, she is a director. an analyst. a ...
It is as if the energy and excitement that an actor feels when working on a part is not released fttlly when he commits to words, when he is bound by the language set down. And this is true of all kinds of text, both modern and ...
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
8 | |
24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing