The Actor And The Text
Random House, 29 февр. 2012 г. - Всего страниц: 304
Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre.
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... the aims of the voice work we do, so that it gives maximum support to the words we speak. ideally, I suppose. every actor wants to know that his voice is carrying what is in his mind and imagination directly across to the audience.
... keep in mind: that words change both the situation, the speaker and the listener. After words are spoken, nothing is quite the same again. I remember Peter Brook saying words to that effect during rehearsals of The Dream (one of so ...
So, we have to find ways to get them not only on our tongue, but to make them part of our whole physical self in order to release them from the tyranny of the mind. All these points are quite simple, and we know them in our heads, ...
Iago: Patience, I say: your mind perhaps may change. Othello: Never, Iago. Like to the Pontic sea, Whose icy current and compulsive course Ne'er feels retiring ebb, but keeps due on To the Propontic and the Hellespont, Even so my bloody ...
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LibraryThing ReviewПользовательский отзыв - DeborahJ2016 - LibraryThing
A guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing ReviewПользовательский отзыв - Roger_Scoppie - LibraryThing
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Further Points of Text
Relating to Other Texts
Further Voice Exercises
Index of Quotations