The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 8
... by Edward Bond, [mm 'Theatre Pout-it and Songs', [978 edition Sigrid Books. by arrangement with New Direqtcnt Bookt Ind Tenmtnu Williams, for the extract frun A Streetcar Mind Desire. by Tennessee Willi-ms, first puhliihed in N47.
... by Edward Bond, [mm 'Theatre Pout-it and Songs', [978 edition Sigrid Books. by arrangement with New Direqtcnt Bookt Ind Tenmtnu Williams, for the extract frun A Streetcar Mind Desire. by Tennessee Willi-ms, first puhliihed in N47.
Стр. 14
... the aims of the voice work we do, so that it gives maximum support to the words we speak. ideally, I suppose. every actor wants to know that his voice is carrying what is in his mind and imagination directly across to the audience.
... the aims of the voice work we do, so that it gives maximum support to the words we speak. ideally, I suppose. every actor wants to know that his voice is carrying what is in his mind and imagination directly across to the audience.
Стр. 20
... keep in mind: that words change both the situation, the speaker and the listener. After words are spoken, nothing is quite the same again. I remember Peter Brook saying words to that effect during rehearsals of The Dream (one of so ...
... keep in mind: that words change both the situation, the speaker and the listener. After words are spoken, nothing is quite the same again. I remember Peter Brook saying words to that effect during rehearsals of The Dream (one of so ...
Стр. 22
So, we have to find ways to get them not only on our tongue, but to make them part of our whole physical self in order to release them from the tyranny of the mind. All these points are quite simple, and we know them in our heads, ...
So, we have to find ways to get them not only on our tongue, but to make them part of our whole physical self in order to release them from the tyranny of the mind. All these points are quite simple, and we know them in our heads, ...
Стр. 27
Iago: Patience, I say: your mind perhaps may change. Othello: Never, Iago. Like to the Pontic sea, Whose icy current and compulsive course Ne'er feels retiring ebb, but keeps due on To the Propontic and the Hellespont, Even so my bloody ...
Iago: Patience, I say: your mind perhaps may change. Othello: Never, Iago. Like to the Pontic sea, Whose icy current and compulsive course Ne'er feels retiring ebb, but keeps due on To the Propontic and the Hellespont, Even so my bloody ...
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |