The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 22
... moved by them , than do the more sophisticated and highly educated ' A ' Level students . They get closer to the sense that a character can be possessed by the words , and as it were , driven by them . And in the prison where I work ...
... moved by them , than do the more sophisticated and highly educated ' A ' Level students . They get closer to the sense that a character can be possessed by the words , and as it were , driven by them . And in the prison where I work ...
Стр. 26
... moving , and the quality of the thought becomes active . We also see that how we share the breath is how we share the thought . If we waste the breath , we disperse and generalize the thought ; and , conversely , if we hold on to the ...
... moving , and the quality of the thought becomes active . We also see that how we share the breath is how we share the thought . If we waste the breath , we disperse and generalize the thought ; and , conversely , if we hold on to the ...
Стр. 27
... moved by the current of his own passion . When the breath works for you in this way , it takes the words down to a physical level , deeper than the intellect , and it allows us to be unemphatic . The passion is then allowed to come ...
... moved by the current of his own passion . When the breath works for you in this way , it takes the words down to a physical level , deeper than the intellect , and it allows us to be unemphatic . The passion is then allowed to come ...
Стр. 28
... move more quickly , and for that purpose are good , but they will not necessarily enhance our use of words . For each word has its own energy and substance within its context , and this is the awareness we must grow to . Exercises are ...
... move more quickly , and for that purpose are good , but they will not necessarily enhance our use of words . For each word has its own energy and substance within its context , and this is the awareness we must grow to . Exercises are ...
Стр. 30
... moves and changes through the speech . We sang out and danced through the list of weeds ' üppigem Erdrauch und Furchenkraut , mit Ampfer , Schierling , Nesseln , Kuckucksblumen ' - to take those words beyond a functional list , and to ...
... moves and changes through the speech . We sang out and danced through the list of weeds ' üppigem Erdrauch und Furchenkraut , mit Ampfer , Schierling , Nesseln , Kuckucksblumen ' - to take those words beyond a functional list , and to ...
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing