The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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... from responsible sources FSC C013604 ISBN 978 0 86369 705 0 Printed and bound by CPI Group ( UK ) Ltd , Croydon , CRO 4YY Contents Foreword : by Trevor Nunn Acknowledgments Introduction Part ONE Discovery and movement of thought.
... from responsible sources FSC C013604 ISBN 978 0 86369 705 0 Printed and bound by CPI Group ( UK ) Ltd , Croydon , CRO 4YY Contents Foreword : by Trevor Nunn Acknowledgments Introduction Part ONE Discovery and movement of thought.
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... movement of thought 7 8 9 14 15 24 32 4422 5 Nature of the image , its logic , and its inquiry into nature 6 Argument and emotion 7 Word games and patterns ཨྰཿ R འཎྜསྠ ་ྲ པྲ སྲྀ 52 82 82 90 95 104 110 115 121 8 Structure of speeches 128 ...
... movement of thought 7 8 9 14 15 24 32 4422 5 Nature of the image , its logic , and its inquiry into nature 6 Argument and emotion 7 Word games and patterns ཨྰཿ R འཎྜསྠ ་ྲ པྲ སྲྀ 52 82 82 90 95 104 110 115 121 8 Structure of speeches 128 ...
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... movement . Just as , in everyday life , how a person uses language ( or does not use language ) is part of the essence of that person , so the actor has to be ready for the dialogue to take us into the world of the character he has to ...
... movement . Just as , in everyday life , how a person uses language ( or does not use language ) is part of the essence of that person , so the actor has to be ready for the dialogue to take us into the world of the character he has to ...
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... movement , weight , and length and they take on a new focus and layer of meaning . The crucial thing for us to notice is this : that we frequently get over our intention by loading the sound with meaning , and this overlays and ...
... movement , weight , and length and they take on a new focus and layer of meaning . The crucial thing for us to notice is this : that we frequently get over our intention by loading the sound with meaning , and this overlays and ...
Стр. 21
... movement of the words and making them reach . We tend to reduce their possibilities to our everyday expectation of them -- anything else sounds slightly false to our ears instead of giving them the room that they need , and this will ...
... movement of the words and making them reach . We tend to reduce their possibilities to our everyday expectation of them -- anything else sounds slightly false to our ears instead of giving them the room that they need , and this will ...
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing