The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 5
... movement of thought 5 Nature of the image, its logic, and its inquiry into nature 6 Argument and emotion 7 Word games and patterns 8 Structure of speeches Part THREE: Shakespeare — the Practical Means Chapter Five: Introduction to the ...
... movement of thought 5 Nature of the image, its logic, and its inquiry into nature 6 Argument and emotion 7 Word games and patterns 8 Structure of speeches Part THREE: Shakespeare — the Practical Means Chapter Five: Introduction to the ...
Стр. 15
... movement. just as, in everyday life, how a person uses language (or does not use language) is pan of the essence of that person, so the actor has to be ready for the dialogue to take us into the world of the character —— he has to be ...
... movement. just as, in everyday life, how a person uses language (or does not use language) is pan of the essence of that person, so the actor has to be ready for the dialogue to take us into the world of the character —— he has to be ...
Стр. 17
... movement, weight, and length and they take on a new focus and layer of meaning. The crucial thing for us to notice is this: that we frequently get over our intention by loading the sound with meaning, and this overlays and dominates the ...
... movement, weight, and length and they take on a new focus and layer of meaning. The crucial thing for us to notice is this: that we frequently get over our intention by loading the sound with meaning, and this overlays and dominates the ...
Стр. 21
... movement of the words and making them reach. We tend to reduce their possibilities to our everyday expectation of them — anything else sounds slightly false to our ears — instead of giving them the room that they need, and this will ...
... movement of the words and making them reach. We tend to reduce their possibilities to our everyday expectation of them — anything else sounds slightly false to our ears — instead of giving them the room that they need, and this will ...
Стр. 24
... movements, but simply an awareness that the words are themselves a movement — and this is quite subtle. It would seem more appropriate to express large emotions through dance and song than through the words and inflections that we use ...
... movements, but simply an awareness that the words are themselves a movement — and this is quite subtle. It would seem more appropriate to express large emotions through dance and song than through the words and inflections that we use ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |