The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 5
... out the Rules Chapter Three: Metre and Rhythm Chapter Four: Structures, Energy' Imagery and Sound 1 Energy through the text 2 Antithesis 3 Substance of the word 4 Discovery and movement of thought 5 Nature of the image, its logic, ...
... out the Rules Chapter Three: Metre and Rhythm Chapter Four: Structures, Energy' Imagery and Sound 1 Energy through the text 2 Antithesis 3 Substance of the word 4 Discovery and movement of thought 5 Nature of the image, its logic, ...
Стр. 15
Therefore we have to work at language as well as voice; we have to practise it, in a sense, to get more adept at feeling its weight and movement. just as, in everyday life, how a person uses language (or does not use language) is pan of ...
Therefore we have to work at language as well as voice; we have to practise it, in a sense, to get more adept at feeling its weight and movement. just as, in everyday life, how a person uses language (or does not use language) is pan of ...
Стр. 17
... for instance, when you have been working on a part for some time and know it well, to then whisper a part of the text through — you notice quite freshly what the words are actually doing, their movement, weight, and length and they ...
... for instance, when you have been working on a part for some time and know it well, to then whisper a part of the text through — you notice quite freshly what the words are actually doing, their movement, weight, and length and they ...
Стр. 21
And this is not done just by greater sharpness but by carrying the intention through the vibrations of the vowels and the consonants, being aware of the physical movement of the words and making them reach.
And this is not done just by greater sharpness but by carrying the intention through the vibrations of the vowels and the consonants, being aware of the physical movement of the words and making them reach.
Стр. 24
perhaps beyond our everyday usage, and I think the answer has always to be through some form of physical release: I am not talking about large movements, but simply an awareness that the words are themselves a movement — and this is ...
perhaps beyond our everyday usage, and I think the answer has always to be through some form of physical release: I am not talking about large movements, but simply an awareness that the words are themselves a movement — and this is ...
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |